Showing results by author "Edward Smith" in All Categories

This is not an exhibition about ‘Realist’ art, as will be immediately apparent from some of the works included. Instead, it is an exhibition that invites the spectator to consider what his, or her, vision of reality truly is. The philosophical debate about the nature of realism in art began in earnest quite late in the history of Western painting and sculpture. The trigger was the invention of photography. When Louis Daguerre announced his new process in 1839 there were many people who thought that it might, in due course, make the visual artist superfluous.

In 1975, the American critic, Laura Mulvey, published an article entitled "Visual Pleasure and Narrative Cinema". This has over the years been one of the most influential of all feminist texts. In it, Mulvey made use of a version of Freudian theory, as reinterpreted by the French philosopher and psychoanalyst Jacques Lacan. Freud referred to scopophilia - the pleasure of look at other people’s bodies as erotic objects. Mulvey applied this to the cinema.

Alex Katz is one of the great survivors of a heroic period in American art. He is also one of the great unclassifiables. At various times he has been described both as a Pop artist and as a classic American Realist, though critics admit that he does not fit comfortably into either of these categories. What most people admit, however, is that he reflects and presents aspects of American culture and American landscape in a uniquely skillful and economical way.

Renoir’s reputation has long been in decline with intellectuals. He is seen as sugary and self-indulgent, to the point where his work gives the whole of the Impressionist Movement a bad name. The thing that has contributed to this fall from grace is, of course, the late work, with its bloated nudes and curiously hot colors. Yet even the work of Renoirís best period tends to seem uneven, despite the continuing popularity of undoubted masterpiece such as La Loge [1874].

Charles Thomas "Chuck" Close (born July 5, 1940) is an American painter and photographer who achieved fame as a photo-realist. He developed his own highly resolved heads (his preferred term to portraits), which were worked on a massive scale. Despite suffering a disabling spinal aneurysm in 1988, the artist has continued to forge a monumental body of work in a variety of media: paintings, drawings, prints, and photographs, of potent and original effect.

Edward Lucie-Smith examines Hans Holbein's famous series of prints, The Dance of Death, together with associated works, such as various artistic variations on the theme of Death and the Maiden. In addition, Lucie-Smith looks at some famous images made on the theme of war, notably the prints of Jacques Callot and the bitter social studies of Goya y Lucientes.

Georgia O’Keeffe is a slightly odd case in the story of American art. She became famous very early, thanks to the efforts of her patron, lover, and eventual husband Alfred Stieglitz. Having been a leading figure in the New York art world, she eventually withdrew from that to become the central presence in a new kind of regionalism, focused not on the Midwest but New Mexico and, in particular, on the art scene in and around Santa Fe.

An introductory essay by Edward Lucie-Smith, "The Enigma of Jasper Johns", explores the art, analysing its development from the 1950s to the exhibition at the Royal Academy of Arts, London.

FNH Audio presents the third in a series of short story collections. In this collection: A Earth passes through a poisonous space-cloud. Beneath the civilised crust of Venus a dark horror awaits. The slaves of Titan are about to wake. The first four spaceships disappeared, the fifth went to hell. During the war, one man demands government money to reach the moon. Storm Cloud suspect that everything going wrong is very suspicious. The beautiful girl is dying, and only space can offer hope. A survey team are hunted on a barren world. And many more stories...

How do we expect public art to function in a contemporary society? By public art, we mean art that to some extent at least ambushes us. We encounter it as we go about our everyday lives, not in some special art-dedicated space. In other words, certainly not in a museum. However, Aida Mahmudova notes, in her introduction to this public art project for Baku organized by Yarat! Contemporary Art Space, conditions for public art are now very different from the way in which art of this kind operated previously.

John Millais is the most paradoxical of Britain’s major Victorian artists. Already recognized in his teens as prodigiously gifted, he chose to risk everything by becoming a founder-member of the Pre-Raphaelites, a revolutionary group of neo-primitive painters who, despite the support offered to them by John Ruskin, the most influential critic of the day, risked being treated as outcasts by the ruling artistic establishment.

Wenn die Vergangenheit mit der Gegenwart verschmilzt... Die Londoner Privatdetektei Walker, Wright & Ferguson übernimmt einen neuen Fall: Eine junge Frau meldet ihren Verlobten Jacob als vermisst; er ist am Vorabend nicht von seiner Joggingrunde zurückgekehrt. Es stellt sich heraus, dass Jacob der Sohn eines Millionärs ist, und so ist es keine Überraschung, als eine Lösegeldforderung eingeht. Jacobs Vater ist gewillt, die geforderte Summe zu beschaffen, doch dann melden sich die vermeintlichen Entführer nicht mehr. Die drei Detektivinnen begeben sich auf einen Wettlauf gegen die Zeit.

One theme that echoes throughout this book is that God had been preparing me for a personal encounter with Him. I recounted how things were during my childhood years. Through a series of circumstances, He set the stage and laid the foundation so He can in the future shape me into whatever form He wishes. In almost all of these testimonies, it’s clear that He (El Shaddai) wanted me to understand what I can be through Him. He guided me through endless crucibles, all for the purpose of allowing me to see His greatness and His ability to transform my life.

DER HOCHSPANNENDE AUFTAKT DER "WALKER, WRIGHT & FERGUSON" KRIMIREIHE. "Die Kunst des Bösen" – Eine düstere Symphonie der Verderbnis, in der das Böse sein künstlerisches Wesen enthüllt. Isla Wright, die sich mit Gelegenheitsjobs mehr schlecht als recht über Wasser hält, kann wieder einmal ihre Miete nicht bezahlen. Da kommt ihr das Angebot ihrer Freundinnen Ems und Ab gerade recht: Isla steigt in die gemeinsame Privatdetektei ein. Von nun an ermitteln sie unter dem Namen Walker, Wright & Ferguson.

“Hello and thank you for joining us on the Howlin Hoops Podcast with your hosts, Kyle and Thomas! If you're a devoted fan of college basketball and everything related to NC State, you've come to the right place. We're here to provide you with comprehensive coverage as we dive deep into the NC State basketball team. This will include a focus on statistical analysis, team-related updates, our insights on upcoming matches, and in-depth game breakdowns! Each episode will cover a few games: the most recent matchup and also provide a preview for the upcoming opponents. Stay tuned and Go Pack!”