Showing results by narrator "Orson Welles" in All Categories

Les Miserables (1937) was Orson Welles' first radio series. He served as actor, director, producer, and adaptor, developing narrative and audio techniques that would later be used for The Mercury Theatre on the Air.

Les Miserables (1937) was Orson Welles' first radio series. He served as actor, director, producer, and adaptor, developing narrative and audio techniques that would later be used for The Mercury Theatre on the Air.

Les Miserables (1937) was Orson Welles' first radio series. He served as actor, director, producer, and adaptor, developing narrative and audio techniques that would later be used for The Mercury Theatre on the Air.

Les Miserables (1937) was Orson Welles' first radio series. He served as actor, director, producer, and adaptor, developing narrative and audio techniques that would later be used for The Mercury Theatre on the Air.

This collection offers more audio drama, comedy, biography, and documentary from veteran award-winning radio dramatist Joe Bevilacqua (a.k.a. Joe Bev). Together with his wife, Lorie Kellogg, Bevilacqua has amassed thousands of hours of audio entertainment through his Waterlogg Productions and Blackstone Audio. Each half hour is beautifully produced with an original cast of professional actors, sound effects, and music.

A full-cast dramatization of the classic starring Orson Welles.

Jackie Cooper and Orson Welles star in this performance of Mark Twain's The Adventures of Huckleberry Finn.

In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist.

Orson Welles stars as Phileas Fogg of London, who together with his newly employed French valet Passepartout attempt to circumnavigate the world in 80 days on a £20,000 wager set by his friends at the Reform Club.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Travel with Phileas Fogg, as he races against the clock to win the bet with his friends to circle the globe with his faithful manservant Passepartout!! Many people try to stop Phileas in his adventure, so listen in and enjoy the fun!! One of the classic Radio Theatre Productions you will want to listen to over and over again!

Set in London and Paris before and during the French Revolution, A Tale of Two Cities depicts the plight of the French peasantry under the demoralization of the French aristocracy in the years leading up to the revolution, the corresponding brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution, and a number of unflattering social parallels with life in London during the same time period.

This spectacular and haunting version of Bram Stoker's Dracula stars Orson Welles and was performed in 1938. Between 1879 and 1889 Bram Stoker was business manager for the world-famous Lyceum Theatre in London, where he supplemented his income by writing a large number of sensational novels. This, perhaps his most famous tale about the vampire Dracula, was published in 1897.