Showing results by narrator "Denis Daly" in All Categories

This very clever and highly-polished epistle to Dr Arbuthnot (also entitled the "Prologue to the Satires"), who was suffering from terminal illness, dates from 1734. Arbuthnot, from his deathbed, solemnly advised Pope to moderate his satire and expressed fear about the poet's personal safety from his numerous foes. Pope replied in a manly but self-defensive style. He is said at this time to have in his walks carried arms, and taken a large dog as a protector, but none of the purported enemies ever had the courage to attack him.

First published in 1813, Pride and Prejudice is the most polished of Jane Austen’s novels, with a humorous and upbeat mood. It was written at a time when the author’s narrative powers were fully developed and the story flows with an ease that conceals the skill of its construction. The plot line follows the sequence of a love relationship apprehended, misunderstood, and finally realized, which has since become a standard format of the romcom genre. However, Austen complicates the action by involving not one but four romantic relationships in the plot.

The novel opens with Mr. and Mrs. Parker’s visit to Sanditon, a village on the coast of Sussex. Sanditon is being developed into a bathing-place under the patronage of the two principal proprietors of the parish, Mr. Parker and Lady Denham. Mr. Parker suffers an injury and receives assistance from a local farmer, Mr. Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors: Lady Denham’s foppish son, Sir Edward; Mr. Parker’s devil-may care brother, Sydney; and Arthur, who is an unemployed hypochondriac.

This short poem, first published in 1717, became one of Pope's best-known verse works. The actual history of the lady appears to have been intentionally concealed by the poet under a mysterious veil. Dr. Johnson offers the following details, based on the content of the poem: that the lady was distinguished by her rank, fortune, and beauty; that she was committed to the care of an uncle who was being crossed in her affections by her guardian, who opposed her marriage.

Esson’s first collection of poems, Bells and Bees, was published in 1910; a second collection, Red Gums and Other Verses, in 1912. Although Esson published no further poetry collections, his verse continued to appear in magazines such as The Bulletin until the late 1920s.

This collection was published posthumously in 1869 under the title of Petits Poèmes En Prose, but is also known as Le Spleen de Paris. A prime influence was Gaspard de la Nuit, the prose poem collection by Aloysius Bertrand. Baudelaire described these short pieces as experiments, and also "confessions." The poet was seeking to create "the miracle of a poetic prose, musical without rhythm and without rhyme, subtle and staccato enough to follow the lyric motions of the soul, the wavering outlines of meditation, the sudden starts of the conscience."

Pierre Loti (1850-1923) was a French naval officer, traveler, and novelist. Many of his novels deal with exotic themes, drawn from the author's experiences in India, Turkey, and the Middle East. Lives of Two Cats, first published in 1900, is an affectionate memoir about two cats who were cared for by the author's mother and aunt during his extended periods of travel.

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.

The focus in Melincourt is the operation of the "rotten borough" which corrupted the English electoral system until the reform bill of 1832. A rotten borough was a constituency that had been established by royal prerogative but had subsequently lost most of its population. Nevertheless, it still retained the right to have two representatives in the House of Commons. On the other hand, many population centers which had expanded rapidly during the Industrial Revolution were not entitled to any electoral representation.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

Asoka, who reigned from 268 to 232 BC, was the most famous emperor of the Maurya Dynasty, which was the ruling clan of the Indian subcontinent from 321 BC to 185 BC. He was one of the most famous early converts to Buddhism and became one of its greatest evangelists. Today Asoka has a twofold interest for us: political and religious. The illustrious member of the great dynasty, of which he was the most celebrated representative, has left indelible traces of its achievements in Indian history. Moreover, he was the leader of a spiritual movement that spread rapidly throughout the East.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

Thomas Love Peacock is today remembered as the author of seven satirical novels which many regard merely as literary curiosities. However, he was also a man of considerable learning, a skilled poet, and an astute literary critic. This collection includes Recollections of Thomas Love Peacock, an affectionate reminiscence by Sir Edward Strachey; Some Recollections of Childhood, a window into Peacock's early youth; "Four Ages of Poetry", in which he pokes fun at his contemporaries; and "The Last Day of Windsor Forest", an old man's recollection of a memorable episode.

Between 1915 and 1921, C. J. Dennis published seven verse novels and two collections of poetry. The first of these was The Songs of a Sentimental Bloke, which features Dennis' characteristic use of a distinctive Australian argot and which became an immediate bestseller.

The Bridge of Fire, which appeared in 1907, was Flecker's first published collection of poetry. It contains 35 poems, a number of which were revised and republished in later collections. As with Flecker's other collections, two persistent themes emerge: the poet's fascination with the glories of Grecian antiquity and his premonitions of an early demise. Flecker seemed to be acutely aware that not only would he pass away himself, but also the fading world of British imperialism of which he was a characteristic representative.

Among his many other attributes, James Elroy Flecker was a skilled linguist and an expert translator of Latin poetry. In 1913, he planned to write a book to be entitled An interpretation in blank verse of Virgil, Aeneid VI, based on the poetic value of the sounds, together with Latin text and ten prefaces. The surviving translation consists of lines 1-19 and 264-547 from book six, which describe Aeneas' encounter with Sibyl and his visit to the underworld.

A resourceful miner devises an ingenious scheme to expedite his fishing, but it does not quite go as planned.