Anthropology Fiction

When anthropology professor Gideon Oliver is offered a teaching fellowship at US military bases in Germany, Sicily, Spain, and Holland, he wastes no time accepting. On his first night, he is forced to fend off two desperate, black-clad men who have invaded his Heidelberg hotel room with intent to kill. And then there are a few trivial details that the recruiting agency forgot to mention - such as the fact that the two previous holders of the fellowship both met with mysterious ends.

When the bizarrely mutilated body of a young woman is found near the tiny isolated Norfolk village of Manham, it isn't just the fact that she was a friend that disturbs Dr David Hunter. A one-time high-profile forensic anthropologist, he was once all too familiar with the different faces of death, until a devastating personal tragedy made him abandon his former life and career.

The Origin of Species sold out on the first day of its publication in 1859. It is the major book of the 19th century and one of the most readable and accessible of the great revolutionary works of the scientific imagination. Though, in fact, little read, most people know what it says—at least they think they do. The Origin of Species was the first mature and persuasive work to explain how species change through the process of natural selection. Upon its publication, the book began to transform attitudes about society and religion.

At a time when we are all confronted by not one, but many crossroads in our modern lives - identity, technology, trust, politics, and a global pandemic - celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high.

On his way back from an ongoing investigation into a serial killer in Scotland, forensic anthropologist David Hunter is asked to examine a fire-death on the remote Hebridean island of Runa. Told only that there is something 'strange' about it, Hunter is intrigued enough to accept - despite the worsening winter weather conditions, and the strain it will put on his already troubled relationship with his girlfriend, Jenny.

For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years in films and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew.

What do we believe? And in God's name why? Lewis Black has the answers. Or at least his answers. He survived Hebrew school and a bar mitzvah (barely), was a 60's college student who saw the parallels between religious rapture and drug-induced visions (even if none of his friends did), explored the self-actualization movement of the 70's (and the self-indulgence it engendered), and turned a cynical eye toward politicians who don the cloak of religious rectitude to cover up their own hypocrisy.

Politics of the Womb proves that there can be broken babies and breaking mothers; it rips away the romanticism around uterus transplants, warns of genetic theft and "designer babies", and points to the human element being sacrificed, as artificial reproduction uses, reuses, and recycles the woman. Pinki Virani combines investigation with analysis to question those who lead the worldwide onslaught on the woman’s womb in the name of babies, and squarely confronts what has become the business of baby-making by a chain of suppliers that manufactures on demand.

Gideon Oliver expects to be amicably bored when he takes on the role of "accompanying spouse" at a lodge in the magnificent wild country of Glacier Bay, Alaska, where his forest ranger wife, Julie, is attending a conference. But it turns out to be exactly his cup of tea. There is another group at the lodge: six scientists on a memorial journey to the site of a 30-year-old glacial avalanche that killed three of their colleagues. Their leader is TV's most popular science personality, the unctuous M. Audley Tremaine - the sole survivor of the fatal avalanche. But he does not survive long.

There is not much left of the irascible Albert Evan Jasper, "dean of American forensic anthropologists," after his demise in a fiery car crash. But in accord with his wishes, his remains are installed in an Oregon museum to create a fascinating if macabre exhibit. All agree that it is a fitting end for a great forensic scientist - until what is left of him disappears in the midst of the biannual meeting of the august WAFA - the Western Association of Forensic Anthropologists - in nearby Bend, Oregon. Like his fellow attendees, Gideon Oliver - the Skeleton Detective - is baffled.

Les-Eyzies-de-Tayac is known for three things: pâte de fois gras, truffles, and prehistoric remains. The little village, in fact, is the headquarters of the prestigious Institute de Prehistoire, which studies the abundant local fossils. But when a pet dog emerges from a nearby cave carrying parts of a human skeleton - by no means a fossilized one - Chief Inspector Lucien Anatole Joly puts in a call to his old friend, Gideon Oliver, the famed “Skeleton Detective.”

Das weaves a compelling narrative soaked in philosophical, historical, and literary ideas. Here, in his magnificent prose, he examines how to cherish desire in order to live a rich, flourishing life, arguing that if dharma is a duty to another, kama is a duty to oneself. It sheds new light on love, marriage, family, adultery, and jealousy as it wrestles with questions such as these: How to nurture desire without harming others or oneself? Are the erotic and the ascetic two aspects of our same human nature? What is the relationship between romantic love and bhakti, the love of god?

Deep in the primeval rainforest of Washington state's Olympic Peninsula, the skeletal remains of a murdered man are discovered. And a strange, unsettling tale begins to unfold, for forensic anthropologist Gideon Oliver determines that the murder weapon was a primitive bone spear of a type not seen for the last 10,000 years. And whoever - or whatever - hurled it did so with seemingly superhuman force. Bigfoot "sightings" immediately crop up, but Gideon is not buying them.

Set in the bathroom of an old house just before dawn on a night in June, Centuries of June is a black comedy about a man who is attempting to tell the story of how he ended up on the floor with a hole in his head. But he keeps getting interrupted by a series of suspects - eight women lying in the bedroom just down the hall. Each woman tells a story drawn from five centuries of American myth and legend in a wild medley of styles and voices.

Buried ceremoniously, high in a cave on the Rock of Gibraltar, lies the skeleton of a human woman, clutching the skeleton of a part-human, part-Neanderthal child. Fascinated, Professor Oliver jumps at the chance to visit the site. But two deaths, possibly murders, have rocked Gibraltar. As Oliver tries to piece things together, he's about to fall for some deadly tricks. After all, unlike the Gibraltar Boy, he's only human.

The dead man is the manager of Tahiti's Paradise Coffee Plantation, producer of the most expensive coffee bean in the world, the winey, luscious Blue Devil. Nothing tangible points to foul play behind his fall from a cliff, but FBI agent John Lau, a relative of the coffee-growing family, has his suspicions. What he needs is evidence, and who better to provide it than his friend, anthropologist Gideon Oliver, the Skeleton Detective? Gideon is willing to help, but surprisingly - and suspiciously - both the police and the other family members refuse to okay an exhumation order.

Mayan ruins in the Yucatán...a secret room in a tomb...age-old skeletons. To anthropologist Gideon Oliver, the renowned Skeleton Detective, the invitation to join the archaeological excavation of Tlaloc promises two months of paradise on Earth. That is, until an ancient series of Mayan curses against desecrators of the site is unearthed.

Alex is on the verge of dismissal from her anthropology doctoral program when her luck turns, and she lands a fellowship with a dioramist at the Museum of the Rockies. The only problem is, Alex hasn’t a clue about dioramas or dinosaurs, and, as she will soon find out, she’s not the only one faking it in this frozen landscape.

An ancient skeleton tossed in a garbage dump is the first conundrum to rattle Gideon Oliver when he arrives in Egypt. There to appear in a documentary film, he expects an undemanding week of movie star treatment and a luxurious cruise up the Nile with his wife, Julie. But then Gideon discovers a tantalizing secret in the discarded bones - and violence claims a famous Egyptologist's life. Plying his calipers as the world's foremost forensic anthropologist, Gideon's investigation of the goings-on leads him through the back alleys and bazaars of Cairo.

El redescubrimiento de la primera novela de Juan Luis Arsuaga Un relato de la prehistoria. 2.ª edición. Hace muchos miles de años, en un mundo que poco tiene que ver con el actual pero que también era el nuestro, un muchacho sin nombre al que llaman Piojo, y que solo conoce la crueldad del hombre que lo ha cuidado desde que se quedó huérfano, emprende su lucha por la existencia. De manera fortuita, se cruzará en su camino con los Hombres Águila, entre los que encontrará a su primer amigo, el orgulloso Viento del Norte, y a su amor verdadero, la inolvidable Gata.