Cultural Criticism

This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of "basic stories" in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it reveals that there are seven archetypal themes which recur throughout every kind of storytelling.

The subject of this audiobook is humankind's extraordinary relationship with colour. It is composed of a series of voyages, ranging across the world and throughout history, which reveal the meanings that have been attached to the colours we see around us and the ways these have shaped our culture and imagination. It takes seven primary colours - black, red, yellow, blue, white, purple and green - and uncovers behind each a root idea, based on visual resemblances or properties so rudimentary as to be common to all societies.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake". Activating multiple registers of "wake" - the path behind a ship, keeping watch with the dead, coming to consciousness - Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation.

For more than 75 years, Catwoman has forged her own path in a clear-cut world of stalwart heroes, diabolical villains, and damsels in distress. Her relentless independence across comic books, television, and film set her apart from the rest of the superhero world. When female-led comics were few and far between, Catwoman headlined her own series for over 20 years. But her unique path had its downsides as well.

Millions of people climb the grand marble staircase into New York's Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They're the guards in dark blue suits, keeping careful watch over this vast treasure house. Caught up in the early days of a glamorous journalism career, Patrick Bringley never thought he'd be one of them. Then his brother was diagnosed with fatal cancer and he needed to escape the mundane clamour of daily life. So he quit, and sought solace in the most beautiful place he knew.

The '90s was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power, of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide.

No Longer Human (1948, Ningen Shikkaku / A Shameful Life / Confessions of a Faulty Man) was an attack on the traditions of Japan, capturing the postwar crisis of Japanese cultural identity. Framed by an epilogue and prologue, the story is told in the form three notebooks left by Ōba Yōzō, whose calm exterior hides his tormented soul. Osamu Dazai was a Japanese author who is considered one of the foremost fiction writers of 20th century Japan. A number of his most popular works, such as Shayō (The Setting Sun) and Ningen Shikkaku (No Longer Human), are considered modern-day classics in Japan.

Kenneth Clark was the grandest figure in the arts in Britain in the 20th century. Museum director, patron, pioneer of television, cultural panjandrum, he effortlessly dominated the art world for over half a century. Clark belonged to that stratum of society that used to be called "the top people" and was befriended by both the Queen Mother and Winston Churchill. His closest friendships, however, were amongst writers and artists, men such as John Betjeman, Graham Sutherland, Henry Moore and John Piper.

In Homegrown, cultural critics Bell Hooks and Amalia Mesa-Bains reflect on the innate solidarity between Black and Latino culture. Riffing on everything from home and family to multiculturalism and the mass media, Hooks and Mesa-Bains invite listeners to re-examine and confront the polarizing mainstream discourse about Black-Latino relationships that is too often negative in its emphasis on political splits between people of color. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication.

New York Times-bestselling author Elijah Wald, one of the most wide-ranging and respected writers on blues and popular music, traces the beginnings of the music that became our national soundtrack. Using Morton’s life and songs as a connecting thread, Jelly Roll Blues suggests an alternate history of blues and jazz, surveying a world of Black and working class culture that at times seems startlingly modern.

No singer has been more mythologized and more misunderstood than jazz legend Billie Holiday, who helped to create much of the mystique herself with her autobiography, Lady Sings the Blues - and this authentic biography sets the record straight.

Monica Jones was Philip Larkin's partner for more than four decades and was arguably the most important woman in his life. She was cruelly immortalised as Margaret Peel in Kingsley Amis's Lucky Jim and widely vilified for destroying Larkin's diaries and works in progress after his death. She was opinionated and outspoken, widely disliked by his friends and Philip himself was routinely unfaithful to her. But Monica Jones was also a brilliant academic and an inspiring teacher in her own right.

William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the 19th century, and professionals in the 20th, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.

Miles to Go is a frank and intimate exploration of Miles Davis' eccentric working life, drug habits, paranoia, depression, and subsequent recovery. Murphy explores Davis' troubled relationship with his children and the controversial role Cicely Tyson played in his life. The book also delves into the dynamics that made Davis' band work so well together, placing Davis' work in a historic, literary, and musical framework.

Quincy Troupe's account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistically and personally. A keen and critical observer, Troupe captures and conveys the power of Miles' presence, the mesmerizing force of his personality, and the restless energy that lay at the root of his creativity.

The epic, rollicking, up-and-down life of Muddy Waters—who went from Mississippi farmhand to musical legend, invented electric blues, and created the template for the rock-and-roll band and its wild lifestyle—is chronicled with rare vividness in Robert Gordon’s widely praised biography.

Dancer, award-winning choreographer, show producer, stand-up comedienne, TV/film actress, and author, Norma Miller shares her touching historical memoir of Harlem's legendary Savoy Ballroom and the phenomenal music and dance craze that "spread the power of Swing across the world like Wildfire". It was a time when the music was Swing, and Harlem was king.

In this luminous memoir, Rita Moreno shares her remarkable journey from a young girl with simple beginnings in Puerto Rico to Hollywood legend - and one of the few performers, and the only Hispanic, to win an Oscar, Grammy, Tony, and two Emmys. Born Rosita Dolores Alverio in the idyll of Puerto Rico, Moreno, at age five, embarked on a harrowing sea voyage with her mother and wound up in the harsh barrios of the Bronx, where she discovered dancing, singing, and acting as ways to escape a tumultuous childhood.

Sung in moments of personal isolation or on state occasions watched by millions, “Amazing Grace” has become an unparalleled anthem for humankind. How did a simple Christian hymn, written in a remote English vicarage in 1772, come to hold such sway in all corners of the modern world? With this short, engaging cultural history, James Walvin offers an explanation.

From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry.