European Authors

When the legendary Frankish king and emperor Charlemagne died in 814 he left behind a dominion and a legacy unlike anything seen in Western Europe since the fall of Rome. Johannes Fried paints a compelling portrait of a devout ruler, a violent time, and a unified kingdom that deepens our understanding of the man often called the father of Europe.

Stefan Zweig's memoir, The World of Yesterday, recalls the golden age of prewar Europe - its seeming permanence, its promise and its devastating fall with the onset of two world wars. Zweig's passionate, evocative prose paints a stunning portrait of an era that danced brilliantly on the brink of extinction. It is an unusually humane account of Europe from the closing years of the 19th century through to World War II, seen through the eyes of one of the most famous writers of his era.

In Mad, Bad, Dangerous to Know, Colm Tóibín turns his incisive gaze to three of Ireland's greatest writers, Oscar Wilde, W. B. Yeats and James Joyce, and their earliest influences: their fathers.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

The Book-Makers is a celebration of 550 years of the printed book, told through the lives of eighteen extraordinary men and women who took the book in radical new directions: printers and binders, publishers and artists, paper-makers and library founders. This is a story of skill, craft, mess, cunning, triumph, improvisation, and error.

When the oil and gas ran out, civilization collapsed. Now, centuries later, mankind is once again beginning to discover the secrets of the past...starting with clockwork.

Between the years of 1762 and 1763, James Boswell kept a journal of his time in London. During his time, he met the renowned writer, moralist, and lexicographer Samuel Johnson, with whom Boswell would form a close relationship. This account, told with much detail and candor, was one of the various journals written by Boswell, but it is the journal that has undergone the least amount of censorship, leading it, and the racy material within, to be deemed a best seller upon publication.

No family in the past two centuries has been as constantly at the center of Europe's great events, has featured such varied and spectacular personalities, has had anything close to the wealth of the Rothschilds. To this day they remain one of the most powerful and wealthy families in the world. In Frederic Morton's classic tale, the family is brought vividly to life.

This audiobook includes unabridged recordings of all George Orwell's greatest non-fiction: three full-length books, a collection of his most well-renowned essays and the complete collection of his poetry.

More than any other canonical English writer, Geoffrey Chaucer lived and worked at the center of political life - yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker.

John Keats died 200 years ago, in February 1821. F. Scott Fitzgerald defined a decade that began 100 years ago, the Jazz Age. In this biography, prizewinning author Jonathan Bate recreates these two shining, tragic lives in parallel. Not only was Fitzgerald profoundly influenced by Keats, titling Tender Is the Night and other works from the poet’s lines, but the two lived with echoing fates: both died young, loved to drink, were plagued by tuberculosis, were haunted by their first love and wrote into a new decade of release, experimentation and decadence.

The life of Emperor Charles V (1500-1558), ruler of Spain, Germany, the Netherlands, and much of Italy and Central and South America, has long intrigued biographers. But the elusive nature of the man (despite an abundance of documentation), his relentless travel and the control of his own image, together with the complexity of governing the world's first transatlantic empire, complicate the task.

"This story is the record of a struggle between two temperaments, two consciences and almost two epochs. It ended, as was inevitable, in disruption. Of the two human beings here described, one was born to fly backward, the other could not help being carried forward. The affection of these two persons was assailed by forces in comparison with which the changes that health or fortune or place introduce are as nothing.

During the long 18th century, Europe's travelers, scholars, and intellectuals looked to Asia in a spirit of puzzlement, irony, and openness. In this panoramic book, author Jürgen Osterhammel tells the story of the European Enlightenment's nuanced encounter with the great civilizations of the East, from the Ottoman Empire and India to China and Japan. A momentous work by one of Europe's most eminent historians, Unfabling the East takes listeners on a thrilling voyage to the farthest shores, bringing back vital insights for our own multicultural age.

Asle is an aging painter and widower who lives alone on the west coast of Norway. His only friends are his neighbor, Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers-two versions of the same person, two versions of the same life. Written in melodious and hypnotic "slow prose,"

In this examination of Solzhenitsyn and his work, Lee Congdon explores the consequences of the atheistic socialism that drove the Russian revolutionary movement.

A Christmas Carol is a novella by the great Charles Dickens, first published in London by Chapman & Hall in 1843 and illustrated by John Leech. A Christmas Carol recounts the story of Ebenezer Scrooge, an elderly miser who is visited by the ghost of his former business partner Jacob Marley, and the spirits of Christmas Past, Present, and Yet to Come. After their visits, Scrooge is transformed into a kinder, gentler man.

Searching for a more romantic, unscripted, and exciting life that she feels sure exists out there somewhere, London Rose accepts a job as a tour guide on a high-end European cruise line that travels through a country a day. London is elated. She gets to see a new port every night, sample an endless array of new cuisine, and meet a stream of interesting people. It is a traveler’s dream, and it is anything but predictable. But when a wealthy, high-maintenance passenger suddenly turns up dead outside of Budapest, the cruise has become a bit too unpredictable.

In this slim memoir, Theodor Kallifatides explores the interplay of meaningful living and meaningful work, and the timeless question of how to reconcile oneself to aging. But he also comments on worrying trends in contemporary Europe - from religious intolerance and prejudice against immigrants to housing crises and gentrification - and his sadness at the battered state of his beloved Greece. Kallifatides offers an eloquent, thought-provoking meditation on the writing life, and an author’s place in a changing world.

"Je voulais, écrit Jean-Philippe Toussaint, que ce livre traite autant des ouvertures que des fins de partie, je voulais que ce livre me raconte, m’invente, me recrée, m’établisse et me prolonge. Je voulais dire ma jeunesse et mon adolescence dans ce livre, je voulais débobiner, depuis ses origines, mes relations avec le jeu d’échecs, je voulais faire du jeu d’échecs le fil d’Ariane de ce livre et remonter ce fil jusqu’aux temps les plus reculés de mon enfance, je voulais qu’il y ait soixante-quatre chapitres dans ce livre, comme les soixante-quatre cases d’un échiquier." J.-P. T.