High Society Nonfiction

Writing in the grand American tradition of Annie Dillard and Barry Lopez, Donovan Hohn is an "adventurous, inquisitive, and brightly illuminating writer" (New York Times). Since the publication of Moby-Duck a decade ago, Hohn has been widely hailed for his prize-winning essays on the borderlands between the natural and the human. The Inner Coast collects 10 of his best, many of them originally published in such magazines as the New York Times Magazine and Harper's.

When a high school student started a private Instagram account that used racist and sexist memes to make his friends laugh, he thought of it as “edgy” humor. Over time, the edge got sharper. Then a few other kids found out about the account. Pretty soon, everyone knew. Ultimately no one in the small town of Albany, California, was safe from the repercussions of the account’s discovery. Not the girls targeted by the posts. Not the boy who created the account. Not the group of kids who followed it. Not the adults—educators and parents—whose attempts to fix things too often made them worse.