Pakistan Fiction

Mano Majra is a place, Khushwant Singh tells us at the beginning of this novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the "ghost train" arrives, a silent funeral train loaded with the bodies of thousands of refuges, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endures and transcends the ravages of war.

Twenty-eight-year-old psychologist Alisha Dimarchi is abducted by an obsessed client and imprisoned in his Pakistani compound for over two years. Forced to change her name and live as his second wife, her life is filled with trauma and heartbreak. Thrust into a world of violence and oppression, Ally must fight not only to keep herself alive, but to protect the lives of the people she now considers family. At night, she retreats into her memories of the only man she has ever loved - a man she believes no longer loves her.

Mona has almost everything: money, friends, social status...everything except for freedom. Languishing in her golden cage, she craves a sense of belonging. Desperate for emotional release, she turns to a friend who introduces her to a world of glitter, glamour, covert affairs and drugs. There she meets Ali, a physically and emotionally wounded man, years younger than her.

Meena Menon was The Hindu's correspondent in Islamabad till she was expelled by the Pakistani authorities in May 2014. In spite of her truncated stay and the restrictions placed on her movements, Menon managed to write on a range of subjects covering swathes of life in Islamabad.

Life is quiet and ordinary in Amal's Pakistani village, but she has no complaints, and besides, she's busy pursuing her dream of becoming a teacher one day. Her dreams are temporarily dashed when - as the eldest daughter - she must stay home from school to take care of her siblings. Amal is upset, but she doesn't lose hope and finds ways to continue learning. Then the unimaginable happens - after an accidental run-in with the son of her village's corrupt landlord, Amal must work as his family's servant to pay off her own family's debt.

Childhood best friends decide to marry in order to keep their sexuality a secret. A young heiress embarks on a secret affair, ending in devastation, but not for the party who was braced for it. A glum divorcee reaches out to his American neighbour. A radicalised student's preparations for his sister's wedding in Lahore involve beating up the groom. An actress from a sheltered background in Karachi is forced to grow up fast on the set of her first major TV show, where the real intrigue takes place off-screen.

At the turn of the new year in 1948, Amil and his family are trying to make a home in India, now independent of British rule. Both Muslim and Hindu, twelve-year-old Amil is not sure what home means anymore. The memory of the long and difficult journey from their hometown in what is now Pakistan lives with him. And despite having an apartment in Bombay to live in and a school to attend, life in India feels uncertain.

Before the Soviet invasion of 1980, Enjeela Ahmadi remembers her home - Kabul, Afghanistan - as peaceful, prosperous, and filled with people from all walks of life. But after her mother, unsettled by growing political unrest, leaves for medical treatment in India, the civil war intensifies, changing young Enjeela’s life forever. Amid the rumble of invading Soviet tanks, Enjeela and her family are thrust into chaos and fear when it becomes clear that her mother will not be coming home.

That was where she needed to be, in a field of purple flowers, where no one could bother her. She would sit there until the confusion left her head and the stink of the camp left her nostrils. Shauzia has a dream. She dreams of getting away from the refugee camp in Pakistan and travelling to France. There she knows she would find a better life, away from the war in her home country of Afghanistan...But escape is not so easy. Once she leaves the camp, she has no money, no food - and only her dog Jasper for company. But Shauzia is determined to find a new future for herself...

Kitne Pakistan? is a 2000 Hindi novel by Kamleshwar, a noted 20th-century Hindi writer. A pioneer of the Nayi Kahani (New Story) movement of the 1950s, and later a screenwriter for Hindi cinema, Kamleshwar’s novel, employing allegory and realism, deals with a vast expanse of human history, as it follows the rise of sectarianism, nationalism, Hindutva and communalism. Kitne Pakistan? casts doubts about the true motives of the people who make decision on behalf of and for common people, who throughout history have been bearing the brunt of their decision.

In the rural town in Pakistan where Baadal grows up, children are named like talismans to sustain life and ward off unhappiness. At seventeen, Baadal has come to understand why his parents gave him that name, with hopes that their Big River will one day flow wide again, and their thirst will be quenched after years of drought. But in the final year of his schooling, abundance seems impossibly far away. As his parents' marriage reaches a breaking point, the only comfort Baadal can afford is a budding kinship with Meena, a divorced older woman he meets on the banks of the drying river.

It’s the last few days of an amazing trip to Pakistan, and Amina finds it hard to leave the sights, the shops, and most of all, her family. As she heads back to Greendale to start seventh grade, the experience has changed her, and she’s eager to share it with her friends. At home, though, Amina discovers her friends don’t seem interested in hearing about her trip. With everyone growing in different directions, Amina wonders where she belongs - especially after her school presentation on Malala goes sideways, leaving her feeling like nobody understands both her worlds.

Osama bin Laden is dead, and the sensational mission to the compound in Abbottabad is rightly hailed as a heroic Navy Seal operation. But is Al-Qaeda now stronger or weaker? A chance raid into Pakistani bandit country, Waziristan, throws up fresh intel that points to a new threat. Another warlord has emerged, a man who claims to be the brother of Osama bin Laden. Although unheard of in the West, murderous terrorists are about to follow his banner and launch a new jihad in their fanatical and never-ending religious wars. A conflict that threatens the peace and security of the world.

Ein Leben zwischen zwei Kulturen. Es sind Sommerferien und der fünfzehnjährige Mahmoud stellt sich auf lange Tage im Plattenbau-Viertel am Rand von Oslo ein. Norwegische Norweger verreisen in den Ferien, aber Mahmouds mittellose Familie? Keine Chance! Doch dieser Sommer wird anders. Die Familie erhält Besuch von Onkel Ji aus Pakistan. Er ist fasziniert von dem fremden Land, doch dann beginnt er sich über Mahmouds kleinen Bruder Ali zu wundern. Denn Ali spielt mit Puppen und benimmt sich in den Augen des Onkels nicht so, wie ein Pakistani-Junge sich benehmen sollte...

Fille unique élevée sans amour, elle est éduquée en garçon - et en blanc pour se battre contre les Anglais qui se croient propriétaires de l'Inde. Son père est en prison, sa mère, tuberculeuse, hante les sanatoriums européens tout en contaminant sa fille. Celle qui a choisi le surnom d'Indu Boy dans sa première enfance devient, loin de son pays natal, une jeune Occidentale polyglotte. Elle s'appelle Indira Nehru. Avec ses cheveux coupés à la Jeanne d'Arc, la fille de brahmane fait scandale en se mariant à un parsi désargenté, Feroze Gandhi. Il l'aime. Et elle ? Pas du tout. Elle a juste choisi un père pour ses futurs enfants.

L'amore impossibile tra Rima e Nael, lei cristiana e lui musulmano, nella Damasco divisa dalla guerra. La rabbia di Razia, medico in un ospedale nel Sud del Pakistan, che opera pazienti sfregiate dagli uomini. L'arresto di Eman, che nel suo blog ha difeso per anni i diritti delle donne saudite, messa a tacere proprio quando la monarchia concede loro di guidare l'auto. Il gesto indimenticabile di Vida, la ragazza che in via Enghelab, via della Rivoluzione, a Teheran, si toglie il velo bianco e lo sventola come una bandiera: non per la resa, ma per la guerra.

These poems are English interpretations of poems originally written in Urdu and Punjabi. Interpretations are not translations. The interpretations capture the essence of the poem rather than the form and specifics of the original language.