Science Fiction Western

What is fascism? By focusing on the concrete, what the fascists did rather than what they said, the esteemed historian Robert O. Paxton answers this question for the first time. From the first violent uniformed bands beating up "enemies of the state", through Mussolini's rise to power, to Germany's fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others.

James Crowley met his mortal end in a hail of gunfire. Now, he finds himself in purgatory, serving the White Throne to avoid falling to hell. Not quite undead, though not alive either, the best he can hope for is to work off his servitude and fade away. His not-so-sacred duty as a Hand of God? Use his new abilities to hunt down demonic beings that have infiltrated the mortal realm. This time, the White Throne has sent him to the middle of nowhere: a Western town called Dead Acre with a saloon, a moldy church, and little else worth talking about. There isn’t even a sheriff.

Abandoned by their father for the gold rush, Gentry and her siblings labor to survive alone in the inhospitable West. When bizarre natural disasters begin wreaking havoc on the land, Gentry discovers a world of magic. Desperate for help, she accepts aid from a mysterious stranger. Winn not only sees the magic, but controls its hunger by feeding it gold - the very thing Gentry's father left to acquire. But the earth's unrest only grows worse, and Gentry's fear leads her to a terrible choice: marry a wealthy man she does not love or trust in Winn's unpredictable power to save her family.

The five children have grown up, and World War I has begun in earnest. The sand fairy has become a creature of stories...until, for the first time in 10 years, he suddenly reappears. Before this last adventure ends, all will be changed; the two younger children will have seen the Great War from every possible viewpoint, and the war's impact will be felt right at the heart of their family.

Esther is a stowaway. She's hidden herself away in the Librarian's book wagon in an attempt to escape the marriage her father has arranged for her - a marriage to the man who was previously engaged to her best friend. Her best friend who she was in love with. Her best friend who was just executed for possession of resistance propaganda. The future American Southwest is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing.

More than any writer before or since, Louis L'Amour brought the American West to life. His action-packed stories deal with eternal themes: honor, deceit, passion, betrayal, loyalty, courage, love. His settings are historically accurate, his prose riveting, and his characters colorful: good guys, bad guys, toughs, roughs, sidekicks, and saints.

An unplanned murder during a bank robbery has another sheriff on the trail of those on the lam.

In the cutthroat world of bounty hunters, Joe Noose is as honest as they come. Which isn't saying much. Just look at his less-than-honest colleagues. They framed Joe for a murder they committed. They made sure Joe's face wound up on a wanted poster. Now they're gonna hunt Joe down and collect the reward money. There's just one problem: Joe Noose thinks it's his bounty. It's his reward. And it's their funeral . 

In Aurora Crossing by best-selling author Karl H. Schlesier, a young man - an outsider by upbringing and ancestry - becomes embroiled in the Nez Perces War of 1877. His quest to find identity and belonging in the clash of cultures takes him on the historic 1,200-mile Nez Perces trek from Idaho toward refuge in Canada.

This is a story of a valiant man who became a sort of American version of Robin Hood. His efforts were a courageous attempt to restore justice in early 19th-century Mexican California, where a corrupt governor was viciously exploiting the poor and downtrodden. It was a period when there were large haciendas and resident caballeros confronted by the harsh oppression. This brought forth a fictional effort featuring the persona of a masked laughing outlaw calling himself Zorro.

¡Prepárate para una emocionante experiencia con esta nueva historia que trae de regreso el clásico Libro Vaquero! Con una serie Neo-Western cargada de acción y aventuras, serás testigo de un mundo postapocalíptico en el año 2100, donde la humanidad se enfrenta al borde de la extinción tras múltiples pandemias y experimentos médicos que han causado una infertilidad masiva.

Alex was willing to do whatever it took to beat the tumors overwhelming his body. Even if it meant being frozen alive. And if his cortex got uploaded into a digital universe filled with countless worlds to explore until a cure could be found for his cancer, all the better. The last thing he expected was to wake up naked and alone in the bowels of an ancient ship filled with raiders carrying enough poison to kill an entire city!

The Serenity crew head to Yell City, one of the settlements on Abel, a moon in the Rim. Their job: track down the killers of a local lawyer shot dead in the streets by a local gang. Their client is Annie Roberts, the eighteen-year-old daughter of the murdered man. Lucky for them, Annie Roberts is more than capable of handling herself. Unlucky for them, the job is lot more complicated than they at first think it is. Annie’s father is not just the victim of local gang violence but also the target of some powerful men.

You'd think defeating a giant four-armed, catgirl supersoldier would buy you some peace. More like pieces. Sure, I get to spend time with Rufka, but it turns out stopping Ivicka isn't enough to get home. As we continue our quest to find a way to Earth, it's time to get efficient. Or so I'm told. Course Beth likes convoluted plans like I enjoy cuddles with Rufka and Smoulder, so it's not a surprise she's trying to rope me into taking more responsibility.

The apocalypse was five years ago. Little has changed. There isn't any law, but there used to be. Back then, Lucas Shaw had been a Texas lawman. Now he's just trying to survive. In a kill-or-be-killed wasteland, death is always around. Will today be his last? When a young woman enters his life, he must make an impossible decision: help her in a battle against an adversary who'll stop at nothing or keep himself alive. Which will he choose?

Demons. Monsters. Witches. James Crowley’s sacred duty as a Black Badge is to hunt them down and send them packing, banish them from the mortal realm for good. He didn’t choose this life. No. He didn’t choose life at all. Shot dead in a gunfight many years ago, now he’s stuck in purgatory, serving the whims of the White Throne to avoid falling to Hell. Not quite undead, though not alive either, the best he can hope for is to work off his penance and fade away.

The invaders are gone. Earth is in ruins. The strong prey on the weak. In the wastelands of what’s left, a lone gunslinger delivers his own brand of justice. Some call him lawman. Some call him madman. Some call him vigilante. Some call him killer. Some call him legend. They all call him...the Sheriff. This is his story.

In this major and wholly original contribution to military history, John Keegan reverses the usual convention of writing about war in terms of generals and nations in conflict, which tends to leave the common soldier as cipher. Instead, he focuses on what a set battle is like for the man in the thick of it.

James Crowley has ridden the road to Crescent City before, but never with companions like these. Never with a woman whose very presence jeopardizes everything he’s fought for over the past two decades. The swamps are a brutal, nasty place filled with creatures most people think only exist in nightmares and fever dreams. When Crowley, along with Rosa, Bram Stoker, Harker, and Irish stumble upon such a creature, and one of their party finds themselves mortally wounded, they must find help in the most unlikely of places.

A fascinating mix of autobiographical episodes and extraordinary Egyptian theology, Burroughs' final novel is poignant and melancholic. Blending war films and pornography, and referencing Kafka and Mailer, The Western Lands confirms Burroughs' status as one of America's greatest writers. The final novel of the trilogy begun with Cities of the Red Night and The Place of Dead Roads is a Book of the Dead for the nuclear age, an astonishing, profound, and revealing meditation on morality, loneliness, life, and death.