Victorian Horror

A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.

Arthur Conan Doyle was the greatest genre writer Britain has ever produced. Throughout a long writing career, he drew on his own medical background, his travels, and his increasing interest in spiritualism and the occult to produce a spectacular array of Gothic tales. Many of Doyle's writings are recognized as the very greatest tales of terror. They range from hauntings in the polar wasteland to evil surgeons and malevolent jungle landscapes. This collection brings together over 30 of Conan Doyle's best Gothic tales

Jacob Ashland's life has taken an unexpected turn. He's now the earl of Ashland and expected to marry. But he's done that before and had his heart ripped from his chest. When Charlotte shows up at his door needing protection, he offers to marry her - in name - only. Charlotte, an orphan, suspects her sinister cousin of terrorizing London. When her maid disappears, she fears for her own life and runs away. Lord Ashland offers marriage, and it's the perfect solution. But it isn't long before she finds herself falling for her new husband.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Mary is the great-niece of Victor Frankenstein. She knows her uncle disappeared in mysterious circumstances in the Arctic but she doesn't know why or how. She and her husband are trying to make a name for themselves as paleontologists but, in 1850s' London, scientific success requires wealth and connections - neither of which they possess. But then Mary discovers some old family papers that allude to the truth behind her great-uncle's past, of his attempts to create a living being and the creature that ultimately killed him. Perhaps this idea will prove to be their salvation.

When Lily Bell is sold by her father to a Professor of Ghosts to settle a bad debt, she thinks she is about to hit the London stage as an actress. But little does she know that the professor intends her to be his very own ghost, part of an elaborate illusion for a fascinated audience. Obsessed with perfection, the professor covers all bases to ensure his illusion is realistic and when Lily comes across her own obituary in the paper and then her own headstone in the cemetery, she soon realises that she is trapped, her parents think she is dead and soon her fate is to become even darker.

Thornfield Hall, 1821. Alice Fairfax takes up her role as housekeeper of the estate. But when Mr. Rochester presents her with a woman who is to be hidden on the third floor, she finds herself responsible for much more than the house. This is the story Jane Eyre never knew--a narrative played out on the third floor and beneath the stairs, as the servants kept their master's secret safe and sound.

June, 1878. The body of a boy is pulled from the depths of the River Thames, suspected to be the beloved missing child of the widely admired Liberal MP Ralph Gethin. Four months earlier. Harriet is a young maid newly employed at Finton Hall. Fleeing the drudgery of an unwanted engagement in the small village where she grew up, Harriet is entranced by the grand country hall; she is entranced too by her glamorous mistress Clara Gethin, whose unearthly singing voice floats through the house. But Clara, though captivating, is erratic.

Winner of the 2014 Richard & Judy Search for a Bestseller competition. Abandoned on a bank of snow as a baby, Amy is taken in at nearby Hatville Court. But the masters and servants of the grand estate prove cold and unwelcoming. Amy's only friend and ally is the sparkling young heiress Aurelia Vennaway. So when Aurelia tragically dies young, Amy is devastated. But Aurelia leaves Amy one last gift. A bundle of letters with a coded key. A treasure hunt that only Amy can follow. A life-changing discovery awaits ... if only she can unlock the secret.

Twin sisters Keziah and Tilly Lovell are identical in every way, except that Tilly hasn't grown a single inch since she was five. Then at the age of 15 the girls are sold to a mysterious Italian known as 'Captain'. Theo is an orphan, raised by his grandfather. Resenting his grandson for his mother's death in childbirth, Theo is forced to leave home without a penny to his name when he remarries, and a new heir is produced. Unable to train to be a doctor as he'd hoped, Theo finds employment in Dr Summerwell's Museum of Anatomy in London, and here he meets Captain and his theatrical 'family'.

Paris, 1750. In the midst of winter, as birds fall frozen from the sky, a new maid arrives at the home of a celebrated clockmaker and his clever, unworldly daughter. But rumours are stirring that Reinhart's uncanny mechanical creations - bejewelled birds, silver spiders - are more than mere automata. That they might defy the laws of nature, perhaps even at the expense of the living. But Madeleine is hiding a dark past, and a dangerous purpose - to discover the truth of the clockmaker's experiments and record his every move, in exchange for her own chance of freedom.

The narrator - the old nurse of the title - is an old family retainer who has worked in the service of the same family for three generations. She tells the young children about a dark incident that she experienced in the company of the children’s mother, when she was a young woman and visiting her mother’s ancestral home.

London. 1850. The Great Exhibition is being erected in Hyde Park, and among the crowd watching the spectacle, two people meet. For Iris, an aspiring artist, it is the encounter of a moment - forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love. But Silas has thought of only one thing since their meeting....

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly remarried to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction. She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to re-create the evening.

Featuring work by Charles Dickens, Mary Elizabeth Braddon, Clara Venn and Hume Nisbet, this collection of nine enduring stories - some well-known, others less familiar - evoke the many spirits of Christmas. Featuring misty journeys to distant loved ones, Christmas Eve manifestations and lonely, frost-filled vigils.

On December 19th, 1851, a crime took place in the center of London. One of the few who knows what truly happened is Countess Alina Bronskaya. But she will never speak of it. The crime is her curse and her salvation.

A well-known and often told tale of murder and grave robbing in Victorian Edinburgh, supposedly in the interests of science. With the desecration of the bodies, a worthy comeuppance follows. 'The Body Snatcher' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

‘The Signalman’ (1866) is a short story by the English writer Charles Dickens (1812-1870). In the story, a practical-minded narrator meets a railway worker who has been seeing supernatural visions. The narrator doubts the man at first, but at the story’s conclusion a strange event makes him a believer.