Women Horror

Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.

Eel Marsh house stands alone, surveying the windswept salt marshes beyond Nine Lives Causeway. Mrs Alice Drablow lived here as a recluse. Now Arthur Kipps, a junior solicitor with a London firm, is summoned to attend her funeral, unaware of the tragic and terrible secrets which lie behind the house's shuttered windows.

Newly divorced Alison Kerby wants a second chance for herself and her nine-year-old daughter. She's returned to her hometown on the Jersey Shore to transform a Victorian fixer-upper into a charming-and profitable guest house. One small problem: the house is haunted, and the two ghosts insist Alison must find out who killed them.

1873. At an abandoned château on the outskirts of Paris, a dark séance is about to take place, led by acclaimed spiritualist Vaudeline D'Allaire. Known worldwide for her talent in conjuring the spirits of murder victims to ascertain the identity of the people who killed them, her skills are highly sought after by widows and investigators alike. Lenna Wickes has come to Paris to find answers about her sister's death, but to do so, she must embrace the unknown and overcome her own logic-driven bias against the occult.

Alison and her resident gumshoe ghost are on their next case when the deceased Scott MacFarlane floats in worried that he accidentally killed a prominent local woman. Turns out she's still alive...that is, of course, until she's murdered - in Alison's house. Now, between the demands of her guests and the arrival of a reality television crew, Alison must find the killer before she sees reality from the other side.

Five years ago Susannah Harper's son, Joel, went missing without trace. Bereft of her son and then of her husband, Susannah has rebuilt her life around helping others. But then, on the last night of Hull Fair, a fortune-teller makes an eerie prediction. She tells her that this Christmas Eve, Joel will finally come back to her. As her carefully constructed life begins to unravel, Susannah is forced to confront the buried truths of her family's past.

Alison Kerby's guesthouse is already crowded with spirits. The last thing she needs is a whole new batch of haunts settling in. As Alison's reputation as "the ghost lady" grows, so does her business - and not always in a way she'd like. Tourists may be flocking to her guesthouse for a chance to glimpse her resident spirits, but her special abilities are also bringing unwanted private investigation cases to her door.

When four sisters arrive at Applecote Manor to spend the summer, all is clearly not well. They find their aunt and uncle still reeling from the disappearance of their only daughter, five years before. No one seems any closer to finding out the truth. Why did Audrey vanish? Who is keeping her fate secret? As the sisters are lured into the mystery of their missing cousin, the stifling summer takes a shocking, deadly turn. One which will leave blood on their hands, and put another girl in danger decades later.

Alison Kerby’s guesthouse is haunted all year round. Surviving the dead of winter, though? That’s a spooky proposition. Even with a blizzard bearing down on New Jersey, Alison can count on at least two guests—Paul and Maxie, the stubborn ghosts who share her shore town inn.

Guesthouse owner, single mother, and reluctant ghost whisperer Alison Kerby is about to sit down to movie night with her family and friends when she's struck speechless. Floating before her is the ghost of her musical idol, 1960s English rock star Vance McTiernan. He's in desperate need of help from Alison and her resident ghostly gumshoe, Paul Harrison.

The ghosts haunting Alison Kerby's Jersey Shore guesthouse are sad. Maxie wants to know who murdered her ex-husband, and Paul pines for his still-living almost-fiancee. The only one who isn't missing her ex is Alison-because The Swine just arrived on her doorstep...

Only a woman with an iron backbone could succeed as an undertaker in Victorian England, but Violet Morgan takes great pride in her trade. While her husband, Graham, is preoccupied with elevating their station in society, Violet is cultivating a sterling reputation for Morgan Undertaking.

Just when she thought she'd seen everything... Detective Lieutenant Anita McElone is one of Harbor Haven's finest. She's also a hard-boiled ghost skeptic. So when she shows up on the doorstep of Alison Kerby's Haunted Guesthouse to ask for supernatural help in solving the murder of her former partner, it's hard to tell which woman is more flabbergasted. But McElone is dead serious, so Alison promises to help in any way she can - even asking her resident ghosts, Paul and Maxie, for help with the case.

In an all-new novella in E.J. Copperman’s “funny, charming, and thoroughly enjoyable” ( Spinetingler Magazine) series, the storm of the century bears down on the haunted guesthouse, and stirs up a gale of memories for a troubled ghost. Haunted guesthouse owner Alison Kerby may have only recently discovered her ability to communicate with ghosts, but for her mother Loretta, it’s been a lifelong gift.

Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook. As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

The house called Sunset has been Marcia's summer home for her entire life. Both of her parents died there, and she and her brother spent their youth exploring its rambling hallways and seaside grounds. They love the old house, but Marcia's sister-in-law has never taken to it. Juliette loathes the sea, and soon comes to loathe her husband as well. After they divorce, Juliette pays a final visit to Sunset, demanding alimony. She is there for a few tense days before she disappears. It takes them a week to find her body.

Whether they are undeniably heroes and heroines or bloodthirsty monsters (or something in between), the undead are a lively lot. This anthology offers some of the best short fiction ever written by the "blood sisters" who know them best: stories you can really sink your teeth into.

When Becky steps into Jonathon Nelson’s photography studio, she is simply a journalist looking for a story. But when she puts on the beautiful Victorian dress and poses, she encounters flashbacks from a life that isn’t her own. As she and Jon begin to unravel the mystery, the attraction they have for each other continues to grow and leads them to question: Have they met not just in this life but in another?

Ripley Todd just wants to live a quiet, peaceful kind of life. Her job as a sheriff's deputy keeps her busy and happy, and she has no trouble finding men when she wants them - which, lately, isn't all that often. She's perfectly content, except for one thing: she has special powers that both frighten and confuse her - and though she tries hard to hide them, she can't get them under control.