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In Fires Which Burned Brightly, Faulks, a reluctant memoirist, offers readers a series of detailed snapshots from a life in progress. They include a post-war rural childhood – ‘cold mutton and wet washing on a rack over the range’ – the booze-sodden heyday of Fleet Street and a career as one of the country’s most acclaimed novelists.

Why do people keep deep secrets about their lives and ancestry? In Family Declassified, Katherine Fennelly applies her expertise as a social science researcher to answer this question regarding her maternal grandfather, a Jewish Hungarian immigrant who arrived in the US one hundred years ago.

When she was seventeen years old, Hannah Kent travelled to Iceland from Australia. She’d never seen snow before, didn’t speak a word of Icelandic. All she knew was that she wanted to have an experience – to soak up something of the world. Soon she found herself isolated in a remote part of Iceland in a dark winter. It was a gruelling experience, but she quickly fell in love with the country: with its brutally beautiful landscapes and with its people. On returning home, Hannah had found a story, and so she began to write.

Quintus Horatius Flaccus (65–8 BCE) wrote some of ancient Rome's greatest poetry, melding languages and cultures with youthful ideals and a realist's recognition of the dictatorial world around him. Horace is famed for his fine phrases, lyric sex, and guidance on how to live, but he was a poet maddened by war, and many of his most self-revealing poems have rarely been seen. He could be sublime and obscene, amusing and abusive, a model of moderation and anything but.

Raised by ruggedly independent, scientifically minded parents – entomologist father, dietician mother – Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: 'It sounds forlorn. It was forlorn. It gets more forlorn.’), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape.

For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods. There were discussions about her own childhood and the question of legacy, or, as she put it, 'what it’s been worth.'

A collection of insightful and uproariously funny non-fiction by the bestselling author of INFINITE JEST—one of the most acclaimed and adventurous writers of our time. A SUPPOSEDLY FUN THING... brings together Wallace's musings on a wide range of topics, from his early days as a nationally ranked tennis player to his trip on a commercial cruiseliner. In each of these essays, Wallace's observations are as keen as they are funny.

Merging dreams and dailies, Pathemata recounts the narrator’s tragicomic search to alleviate her suffering, a search that eventually becomes a reckoning with various forms of loss – the loss of intimacy, the loss of her father and the loss of a pivotal friend and mentor. In exacting, distilled prose, her account blurs the lines between embodied, unconscious and everyday life.

The Possibility of Tenderness is a personal history narrated through the lens of the ‘grung’ and plants. It’s also a people’s history of the land, a family saga, an archival detective story through time. It’s the migration tale of a young scholar who arrives in Britain from rural Jamaica to study at Oxford to achieve ‘upward social mobility’ and who now lives in Roundhay Leeds. Suddenly, amidst his journey of dreams and class aspiration, the plants and people of his native district, Coffee Grove, begin to offer different ways of living, alternative dreams, and the possibility of tenderness.

Weaving together fragments of artists’ stories across time and place, Philip Hoare embarks on a Sebaldian exploration of the enduring legacy of William Blake. A poet, painter and printmaker who was unappreciated and considered mad in his own time, Blake was eventually lauded as a key pillar of the Romantic movement. His posthumous influence reverberates endlessly, from the films of Derek Jarman to our ongoing fear of technological advancement.

How to Lose Your Mother is Molly’s delicious and despairing memoir about an intense mother–daughter relationship, a sometimes chaotic upbringing with a fame-hungry parent, and how that can really mess you up. But with her mother’s heartbreaking descent into dementia, and Molly’s realization that she is going to lose this remarkable woman, it is also a story of love, of loss, of confusion and of deep grief.

Charles Handy is one of the giants of contemporary thought. His books on management – including Understanding Organizations and Gods of Management – have changed the way we view business. His work on broader issues and trends – such as Beyond Certainty and The Second Curve – has changed the way we view society. In his new book, Handy, looking back over a rich and varied life, shares the lessons he has learned along the way. What things really matter? What daily worries should we learn to treat as unimportant? How do we become more accepting of ourselves and of those around us?

Drawing on personal experience, as well as philosophy and sociology, Daniel Schreiber explores the tension between the desire for solitude and freedom, and for companionship, intimacy and love. Along the way he illuminates the role that friendships play in our lives—can they be a response to the loss of meaning in a world in crisis? A profoundly enlightening book, Alone explores how we want to live.

Anthony Trollope is among the best-loved novelists in the English language. This Very Short Introduction will place Trollope's work in the context of his life and times, drawing on recent scholarship to illuminate his central interests and literary strategies. The major series of novels (the six novels located in the fictional Barsetshire, and the six Palliser novels) are explored alongside the novels set in Ireland, his travel writing, and his less well-known fiction.

Colm Tóibín's Lady Gregory's Toothbrush is a beautiful insight into the life of outspoken Irishwoman, Augusta Gregory. A remarkable figure in Celtic history, she was married to an MP and land-owner, yet retained an unprecedented independence of both thought and deed, actively championing causes close to her heart. At once conservative and radical in her beliefs, she saw no conflict in idealizing and mythologizing the Irish peasantry, for example, while her landlord husband introduced legislation that would, in part, lead to the widespread misery, poverty and starvation of the Great Famine.

Robert Crumb is often credited with single-handedly transforming the comics medium into a place for adult expression, in the process pioneering the underground comic book industry, and transforming the vernacular language of 20th-century America into an instantly recognizable and popular aesthetic, as iconic as Walt Disney or Charles Schulz. Now, for the first time, Dan Nadel, a curator and writer specializing in comics and art, shares how this complicated artist survived childhood abuse, fame in his twenties, more fame, and came out the other side intact.

One of the great international bestsellers, Rebecca also inspired a film, a play and television dramas. This perfect companion volume, The Rebecca Notebook, outlines just how Rebecca came to be written, tracing its origins, developments and the directions it might have taken. The author reveals how she first came upon the secret house, hidden deep in the Cornish woodland, that was to become the romantic setting for her most famous novel: a house which stood derelict, and which she lovingly restored to create her own home.

From the acclaimed biographer of explorers Magellan, Columbus, and Francis Drake comes a unique exploration of life and influence of Jules Verne, the novelist whose mind spun the greatest adventures ever told and whose daring and prescient imagination sparked a lasting transformation of modern society and technology, inspiring everyone from J.R.R. Tolkien to Kurt Vonnegut to Jeff Bezos.

The Trembling Hand turns an urgent critical gaze onto six major Romantic authors, examining how their lives and works were entangled with the racist realities of their era. Mathelinda Nabugodi pores over carefully preserved manuscripts, travels to the houses where these writers lived and died, examines the personal objects which survived them: a teacup, a baby rattle, a lock of hair.

Between 1990 and 1994, Colm Tóibín made a series of trips through Catholic Europe. His journey led him into close contact with people from all walks of life, from priests to politicians, from the intellectually open to the spiritually bigoted. He then set down his impressions in The Sign of the Cross, a beautifully written book filled with personal detail set within its historical context.