Showing titles in Genre Fiction

Written in a Yorkshire dialect that brings a place and its people magnificently to life, We Pretty Pieces of Flesh takes you by the hand and drags you through Doncaster’s schoolyards, alleyways and nightclubs, bringing back the intimate treachery of adolescence and how we betray ourselves when we don’t trust our friends. Like The Glorious Heresies and Shuggie Bain, it tracks hard-edged lives and makes them sing, turning one overlooked and forgotten place into the very centre of the world.

On the cusp of adulthood, James dreams of another life far away from his small village. His burgeoning desire – an ache for autonomy, tenderness and sex – threatens to unravel his shy exterior. Then he meets Luke. Unkempt and handsome, charismatic and impulsive, he has been sent to live with his aunt and uncle on a nearby farm. Luke comes with a reputation for danger, yet underneath his bravado lie anxieties and hopes of his own. As the seasons pass, and the pair form an ever-changing bond, James falls into a terrifying first love that will transform his life forever.

Thirteen-year-old Byron needs to get away and doesn't care how. Sick of being beaten up by lads for 'talkin' like a poof' after school. Sick of dad - the weightlifting, womanising Gaz - and Mam, who selfishly pissed off to Turkey. Sick of the people who shuffle about Hucknall like the living dead, going on about kitchens they're too skint to do up and marriages they're too scared to leave. It's a new millennium, Madonna's Music is top of the charts and there's a whole world to explore - and Byron's happy to beg, steal and skank onto a rollercoaster ride of hedonism.

In September of 1892, Oscar Wilde and his family retreated to the idyllic Norfolk countryside for a holiday. His wife, Constance, has every reason to be happy: two beautiful sons, a stellar reputation as an advocate for progressive causes, and a delightfully charming and affectionate husband and father, who is perhaps the most famous man in England. But as an assortment of houseguests arrive, including an aristocratic young wannabe poet named Lord Alfred Douglas, Constance gradually—and then all at once—comes to see that her husband's heart is elsewhere.

When Aleksey lived in the shadows at the heart of the British Royal Family, he assumed he was the cuckoo in the nest, the one living a double life. He had no idea that he was surrounded by deceits even more deadly than his own. But now, buying Light Island has unearthed a long-buried secret so important that people are willing to kill for it.

Winner of the Whitbread Prize for best first fiction. Oranges Are Not the Only Fruit is a coming-out novel from Winterson, the acclaimed author of The Passion and Sexing the Cherry. The narrator, Jeanette, cuts her teeth on the knowledge that she is one of God’s elect, but as this budding evangelical comes of age and comes to terms with her preference for her own sex, the peculiar balance of her God-fearing household crumbles.

Cambridge, 1994. Professor Don Lamb is a revered art historian at the height of his powers, consumed by the book he is writing about the skies of the Venetian master Tiepolo. However, his academic brilliance belies a deep inexperience of life and love. When an explosive piece of contemporary art is installed on the lawn of his college, it sets in motion Don's abrupt departure from Cambridge to take up a role at a south London museum. There he befriends Ben, a young artist who draws him into the anarchic 1990s British art scene and the nightlife of Soho.

The almost daughter is almost normal, because she knows how to know and also not know. She knows and does not know, for instance, about the barracks by the athletics field, and about the lonely woman she visits each week. She knows—almost—about ghosts, and their ghosts, and she knows not to have questions about them. She knows to focus on being a woman: on training her body and dreaming only of escape. Then, the almost daughter meets Oksana. Oksana is not even almost normal, and the questions she has are not normal at all.

Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate. Robbie lives by his gun and one hard-learned motto: other people aren't safe. After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics—all while outrunning packs of feral men, and their own demons.

Molly Bolt is a young lady with a big character. Beautiful, funny and bright, Molly figures out at a young age that she will have to be tough to stay true to herself in 1950s America. In her dealings with boyfriends and girlfriends, in the rocky relationship with her mother and in her determination to pursue her career, she will fight for her right to happiness. Charming, proud and inspiring, Molly is the girl who refuses to be put in a box.

Paul Lemoyne is a callow but resourceful 18-year-old who leaves the hinterlands for the big city. A steamy tearoom tryst initiates him into London's gay underground and lands him a job at the seedy Palace of Varieties, where the nonstop backstage blow jobs make the tacky onstage acts seem tame. "As hairy as a donkey and hung like one as well!" as one of his astonished bedmates notes, the indomitable Paul rises quickly from stagehand doing every man in sight to well-heeled rent boy and reluctant thief.

After Sappho is Selby Wynn Schwartz's joyous reimagining of the lives of a brilliant group of feminists, sapphists, artists and writers in the late 19th and early 20th century as they battle for control over their lives; for liberation and for justice. Sarah Bernhard—Colette—Eleanora Duse—Lina Poletti—Josephine Baker—Virginia Woolf... these are just a few of the women (some famous, others hitherto unsung) sharing the minutes of a novel as fierce as it is luminous—lush and poetic; furious and funny.

When local television news anchor Katherine Kyle is thrust into the national spotlight, it sets in motion a chain of events that will change her life forever. Jamison "Jay" Parker is an intensely career-driven Time magazine reporter; she has experienced love once, from afar, and given up on finding it again.... That is until circumstance and an assignment bring her into contact with her past.

South Africa, 1901, the height of the second Boer War. Sarah van der Watt and her son are taken from their farm by force to Bloemfontein Concentration Camp where, the English promise, they will be safe. Johannesburg, 2010. Sixteen-year-old outsider Willem just wants to be left alone with his books and his dog. Worried he’s not turning out right, his ma and her boyfriend send him to New Dawn Safari Training Camp. Here they ‘make men out of boys’. Guaranteed.

1970s Weston-Super-Mare, and 10-year-old oddball Eustace, an only child, has life transformed by his mother's quixotic decision to sign him up for cello lessons. Music making brings release for a boy who is discovering he is an emotional volcano. He laps up lessons from his young teacher, not noticing how her brand of glamour is casting a damaging spell over his frustrated and controlling mother.

Set in the 19th century, Isabel Miller's classic lesbian novel traces the relationship between Patience White and Sarah Dowling, whose romantic bond does not sit well with their puritanical New England community. In addition to being an inspiring love story, the audiobook for Patience and Sarah is an ideal listen for young-adult audiences. It is a story that shows how irrelevant race, religion, and gender are to love, and that loving, and being loved, are what keep us human and sane.

Inspired by Nigeria's folktales and war, Under the Udala Trees is a deeply searching, powerful debut about the dangers of living and loving openly. Ijeoma comes of age as her nation does; born before independence, she is 11 when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child, and the star-crossed pair fall in love. They are from different ethnic communities. They are also both girls.

Kimiâ Sadr fled Iran at the age of 10 in the company of her mother and sisters to join her father in France. Now 25 and facing the future she has built for herself, as well as the prospect of a new generation, Kimiâ is inundated by her own memories and the stories of her ancestors, which come to her in unstoppable, uncontainable waves.

Sadomasochism. Obsession. Death. A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s - a darkness that threatens to forever transform them once they finally succumb to their most horrific desires. What have you done today to deserve your eyes?

Can 'no' be a declaration of love? What happens when love is savage, dangerous and all-consuming? In this gorgeous and unsettling collection, women navigate the complexities and cruelties of desire across time and place, from a medieval convent to a Victorian parlour to a 1990s high school. Intensely atmospheric, surprising and darkly funny, this collection is a richly flavoured feast from a brilliant writer in full command of the form.