Showing titles in Art & Literature

Acerbic, wisecracking and hilarious, this is the definitive essay collection from New York legend and satirist, Fran Lebowitz, star of Martin Scorsese's hit Netflix series, Pretend It's a City. Lebowitz turns her trademark caustic wit to the vicissitudes of life—from children ('rarely in the position to lend one a truly interesting sum of money') to landlords ('it is the solemn duty of every landlord to maintain an adequate supply of roaches').

On October 5, 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world. For months Kantor and Twohey had been having confidential discussions with top actresses, former Weinstein employees and other sources, learning of disturbing, long-buried allegations. The journalists meticulously picked their way through a web of decades-old secret payouts and nondisclosure agreements, pressed some of the most famous women in the world to risk going on the record.

Part memoir, part manifesto, and including chapters on dating, work, sport, babies, families, anger and friendship, it is based on the simple premise that understanding why we fail ultimately makes us stronger. It's an audiobook about learning from our mistakes and about not being afraid. Uplifting, inspiring and rich in stories from Elizabeth’s own life, How to Fail reveals that failure is not what defines us; rather it is how we respond to it that shapes us as individuals.

News is to the mind as sugar is to the body. In 2013 Rolf Dobelli stood in front of a room full of journalists and proclaimed that he did not read the news. It caused a riot. Now he finally sets down his philosophy in detail. And he practices what he preaches: he hasn't read the news for a decade. Stop Reading the News is Dobelli's manifesto about the dangers of the most toxic form of information - news. He shows the damage it does to our concentration and well-being and how a misplaced sense of duty can misdirect our behaviour.

The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Eve Babitz posed in 1963, at age 20, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few.

Hailed by readers/listeners and critics across the country, this engrossing biography of Mexican painter Frida Kahlo reveals a woman of extreme magnetism and originality, an artist whose sensual vibrancy came straight from her own experiences: her childhood near Mexico City during the Mexican Revolution; a devastating accident at age eighteen that left her crippled and unable to bear children; her tempestuous marriage to muralist Diego Rivera and intermittent love affairs with men as diverse as Isamu Noguchi and Leon Trotsky; her association with the Communist Party.

Patricia Highsmith's first novel was picked up by Hitchcock and was a world-wide success. Her second novel was meant to tell everything about her true inside and dare what no-one had dared to write before: a lesbian love-story with a happy ending. But when she eventually relented to publish it under a pseudonym, it was a decision that would shape her life more than she could have guessed at the time. Henceforth she would vent her inner life either encoded in her future novels or—unbeknownst to most—in the 18 diaries and 38 notebooks she kept throughout her life.

In this audiobook, Richard Cohen reveals how professional historians and other equally significant witnesses (such as the writers of the Bible, major novelists, dramatists, journalists and political propagandists) influence what become the accepted records of human experience. Is there, he asks, even such a thing as 'objective' history? The depth of Cohen's inquiry and the delight he takes in his subjects includes the practitioners of what he calls 'bad history,' those thieves of history who twist reality to glorify themselves and conceal their or their country's behaviour.

Eminent Victorians, Lytton Strachey's wonderfully witty and Wildean quartet of biographies, stands out as one of the most radical and groundbreaking works of its genre. With relentless precision, Strachey explores the lives of four exemplars of the Victorian age: Cardinal Manning, Florence Nightingale, Thomas Arnold and General Gordon, irreverently bringing to light the flaws, strengths, ambitions and hypocrisies of these treasured legends.

" The Plague and I" recounts MacDonald's experiences in a Seattle sanitarium, where the author spent almost a year (1938-39) battling tuberculosis. The White Plague was no laughing matter, but MacDonald nonetheless makes a sprightly tale of her brush with something deadly. "Anybody Can Do Anything" is a high-spirited, hilarious celebration of how "the warmth and loyalty and laughter of a big family" brightened their weathering of the Great Depression.

With deftness and skill, journalist Lili Anolik uses Babitz, Babitz's brilliance of observation, Babitz's incisive intelligence and, most of all, Babitz's diary-like letters, as the key to unlocking Didion. Franklin Avenue was the making of one great American writer: Joan Didion, a mystery behind her dark glasses and cool expression, her marriage to John Gregory Dunne as tortured as it was enduring. It was also the breaking and then the remaking - and thus the true making - of another great American writer: Eve Babitz.

When Jeanette Winterson left home at 16 because she was in love with a woman, Mrs. Winterson asked her: "Why be happy when you could be normal?" This book is the story of a life's work to find happiness. It is the story of how the painful past returned to haunt Jeanette's later life, and send her on a journey into madness and out again, in search of her real mother. It is also a book about other people's stories, showing how fiction and poetry can form a string of guiding lights, a life raft which supports us when we are sinking.

Laurie Lee was a poet, novelist and screenwriter renowned for his bestselling autobiographical trilogy Cider With Rosie, As I Walked Out One Midsummer Morning and A Moment of War. Among the best loved memoirs in the English language, the books chart Lee’s life from his boyhood summers in a remote Cotswold village to joining the Republican International Brigade during the Spanish Civil War. Included here are dramatisations of the first two volumes, alongside a specially written radio play and four fascinating interview programmes.

In this funny, poignant and unflinchingly honest memoir, one of the world's best-loved storytellers explains how he evolved from a conservative son of the Old South into a gay rights pioneer whose novels inspired millions to claim their own lives. It is a journey that leads him from the racism and misogyny of midcentury North Carolina to a homoerotic navy initiation ceremony in the jungles of Vietnam to an awkward conversation about girls with President Richard Nixon in the Oval Office of the White House.

Keith Brymer Jones is the star presenter and judge of Channel 4's The Great Pottery Throw Down, famous for his emotional responses to the heartfelt and personal pieces made by contestants on the show. He is also the ultimate professional craftsman who's done the hard yards to get where he is today, working his way up from being a skivvy in an industrial pottery to running his own hugely successful international ceramics business.

In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. His name was Christopher Johnson McCandless. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all the cash in his wallet, and invented a new life for himself.

Born into the slums of Glasgow in the late '70s, a 4-year-old John's life is filled with the debris of alcoholism and poverty. Soon after witnessing a drowning, his mother's addictions take over their lives, leaving him starving in their flat, awaiting her return. A concerned neighbor reports her, and he is forcibly taken away from his mother and placed into the care system. There, he dreams of being reunited with her.

After a lifetime of ups and downs, Horatio Clare was committed to hospital under section two of the Mental Health Act. From hypomania in the Alps, to a complete breakdown and a locked ward in Wakefield, this is a gripping account of how the mind loses touch with reality, how we fall apart and how we can be healed - or not - by treatment. A story of the wonder and intensity of the manic experience, as well as its peril and strangeness, it is shot through with the love, kindness, humour and care of those who deal with someone who becomes dangerously ill.

For as long as she can remember, Cathy Rentzenbrink has lost and found herself in stories. Growing up she was rarely seen without her nose in a book and read in secret long after lights out. When tragedy struck, books kept her afloat. Eventually they lit the way to a new path, first as a bookseller and then as a writer. No matter what the future holds, reading will always help.

In the tradition of Frank McCourt’s Angela’s Ashes and Alice Taylor’s To School Through the Fields, Tom Phelan’s We Were Rich and We Didn't Know It is a heartfelt and masterfully written memoir of growing up in Ireland in the 1940s. We Were Rich and We Didn't Know It recounts Tom’s upbringing in an isolated, rural community from the day he was delivered by the local midwife. With tears and laughter, it speaks to the strength of the human spirit in the face of life's adversities.