Showing titles in Cultural & Regional

When William Kamkwamba was just 14 years old, his family told him that he must leave school and come home to work on the farm - they could no longer afford his fees. This is his story of how he found a way to make a difference, how he brought light to his family and village and hope to his nation.

You might know Mo as the critically acclaimed stand-up comedian, BAFTA-winning presenter, Masked Singer judge and social media mega star. But do you know the moments that really made him? Opening up on the turning points, the good times, the challenges and the lessons learned, this is Mo as you've never seen him before.

Superman. Diesel. The Big Aristotle. Shaq Fu. The Big Daddy. The Big Shaqtus. Wilt Chamberneezy. The Real Deal. The Big Shamrock. Shaq....From growing up in difficult circumstances and getting cut from his high-school basketball team to his larger-than-life basketball career, Shaquille O'Neal lays it all out in Shaq Uncut: My Story.

This epic work tells the story of the Hemingses, whose close blood ties to our third president had been systematically expunged from American history until very recently. Now, historian and legal scholar Annette Gordon-Reed traces the Hemings family from its origins in Virginia in the 1700s to the family's dispersal after Jefferson's death in 1826. It brings to life not only Sally Hemings and Thomas Jefferson but also their children and Hemings's siblings, who shared a father with Jefferson's wife, Martha.

Born in West Africa in the early 1950s, Somé was kidnapped at age four by a French Jesuit missionary to be trained as a priest, for the next 15 years enduring the harsh regimen of a seminary where his native language and tribal traditions were systematically suppressed. At age 20 he escaped, but when he returned to his Dugara people in Upper Volta (now Burkina Faso) they rejected him as an outsider. To reconnect with his native culture, Somé underwent a month-long initiation into shamanism.

In the first 20 years of the 21st century, New York City has been convulsed by terrorist attack, blackout, hurricane, recession, social injustice and pandemic. New Yorkers weaves the voices of some of the city's best talkers into an indelible portrait of New York in our time - and a powerful hymn to the vitality and resilience of its people.

Half-Korean, half-Japanese, Masaji Ishikawa has spent his whole life feeling like a man without a country. This feeling only deepened when his family moved from Japan to North Korea when Ishikawa was just thirteen years old, and unwittingly became members of the lowest social caste. His father, himself a Korean national, was lured to the new Communist country by promises of abundant work, education for his children, and a higher station in society. But the reality of their new life was far from utopian.

In a remote corner of the world, forgotten for nearly 3,000 years, lived an enclave of Kurdish Jews so isolated that they still spoke Aramaic, the language of Jesus. Mostly illiterate, they were self-made mystics and gifted storytellers and humble peddlers who dwelt in harmony with their Muslim and Christian neighbors in the mountains of northern Iraq. To these descendants of the Lost Tribes of Israel, Yona Sabar was born.

With a sensibility that recalls her beloved screen characters, including Yvette, Queenie, Shug, and the iconic Cookie from Empire, yet is all Taraji, the screen actress writes of her families - the one she was born into and the one she created. She shares stories of her father, a Vietnam vet who was bowed but never broken by life's challenges, and of her mother, who survived violence both in the home and on DC's volatile streets. Here, too, she opens up about her experiences as a single mother.

She was a successful ad sales rep in Manhattan. He was a homeless 11-year-old panhandler on the street. He asked for spare change; she kept walking. But then something stopped her in her tracks, and she went back. And she continued to go back, again and again. They met up nearly every week for years and built an unexpected, life-changing friendship that has today spanned almost three decades.

In this often violent but always introspective memoir, Mobb Deep’s Prodigy tells his much anticipated story of struggle, survival, and hope down the mean streets of New York City. For the first time, he gives an intimate look at his family background, his battles with drugs, his life of crime, his relentless suffering with sickle-cell anemia, and much more.

Mohsin grew up in a deprived pocket of East London; his family was close-knit but very religiously conservative. From a young age Mohsin felt different, but in a home where being gay was inconceivable, he also felt very alone. Outside of home Mohsin went to a failing inner city school where gang violence was a fact of life. As he grew up, life didn’t seem to offer teenage Mohsin any choices: he was disenfranchised as a poor brown boy, and he was isolated from his family as a closet gay Muslim.

The mixed population is the fastest-growing group in the UK today, but the mainstream conversation around mixedness is stilted, repetitive and often problematic. At a time when ethnically ambiguous models fill our Instagram feeds and our high street shop windows, and when children of interracial relationships are lauded as heralding in the dawn of a post-racial utopia, journalist Natalie Morris takes a deep dive into what it really means to be mixed in Britain today.

Dolly Faulkner has many heart-stopping moments of terror and anxiety, living much of the time truly alone in the Alaskan wilderness. But she is not lonely, as the awesome space and beauty of the mountains fill her with appreciation of all things of nature. Dolly Faulkner came to Alaska as a young woman with the dream of living in the wilderness. Forty Years in the Wilderness is a true reality of carving out a homestead in the Kilbuck Mountains near a minor hotsprings that the regional Native corporation is now trying to claim.

For over twenty-five years, actor Jassa Ahluwalia described himself as 'half Indian, half English'. His fluent Punjabi always prompted bewilderment, medical staff questioned the legitimacy of his name, and the world of casting taught him he wasn't 'the right kind of mixed-race'. Feeling caught between two worlds, it wasn't long before Jassa embarked on a call to action: we need to change how we think and talk about mixed identity.

Dr. Jessica Taylor grew up on a council estate where brutality and coercion were normalised, and where substance abuse was a day-to-day occurrence. Now one of the UK's most spirited advocates for women's rights, and a leading chartered psychologist helping women and girls subjected to violence and trauma, Jessica shares her own personal journey for the very first time.

North Korea is one of the most troubled societies on earth. The country's 24 million people live under a violent dictatorship led by a single family, which relentlessly pursues the development of nuclear arms, which periodically incites risky military clashes with the larger, richer, liberal South, and which forces each and every person to play a role in the "theater state" even as it pays little more than lip service to the wellbeing of the overwhelming majority.

In the turbulent late seventies, six-year-old Susanna Crossman moved with her mother and siblings from a suburban terrace to a crumbling mansion deep in the English countryside. They would share their new home with over fifty other residents from all over the world, armed with worn paperbacks on ecology, Marx and radical feminism, drawn together by utopian dreams of remaking the world. They did not leave for fifteen years.

His second major venture into nonfiction (after Death in the Afternoon, 1932), Green Hills of Africa is Ernest Hemingway's lyrical journal of a month on safari in the great game country of East Africa, where he and his wife, Pauline, journeyed in December of 1933. Hemingway's well-known interest in - and fascination with - big-game hunting is magnificently captured in this evocative account of his trip.

Trying to navigate her Indian world at home and the British world outside her front door, Anita Rani was a girl who didn't ­fit in anywhere. She was always destined to stand out: from playing Mary in her otherwise all white nursery nativity to growing up in '80s Yorkshire with her Punjabi family, spending evenings in the factory her parents owned whilst trying to ­figure out how best to get rid of hair that seemed to be growing everywhere.