Showing results by author "Simenon Georges" in All Categories

When a man’s headless body is discovered in Paris’ Saint-Martin Canal, Maigret is quick to answer the call. It is in this very neighborhood that he meets a strangely taciturn woman who runs a cafe. Her husband is away on a trip - or so she says. As is often the case, Maigret soon learns that there is more to the story than meets the eye.

Georges Simenon's tragic tale of lost identity, translated by David Coward as part of the new Penguin Maigret series. What was the woman doing here? In a stable, wearing pearl earrings, her stylish bracelet and white buckskin shoes! She must have been alive when she got there because the crime had been committed after 10 in the evening. But how? And why? And no one had heard a thing! She had not screamed. The two carters had not woken up.

When Maigret's .45 revolver is stolen from his home, he becomes embroiled in a murder in which the gun may have played a deadly role. Maigret is the victim of a burglary in which the .45 revolver he had received as a gift from the FBI is stolen. That evening Maigret attends a dinner where François Lagrange, an acquaintance of Maigret's friend, is expected but fails to appear due to ill health. Following his instincts, Maigret decides to investigate Lagrange's absence and uncovers a body stowed in a trunk....

Four full-cast dramatisations starring Maurice Denham as Inspector Maigret and Michael Gough as his creator Georges Simenon. Simenon and his masterful inspector, Jules Maigret, look back together over four of their greatest cases… Where is the vital report that holds the key to the fate of the French government? What is the secret behind the mysterious suicide in Bremen? Who is responsible for the sudden disappearance of one of Paris’s best known solicitors? And will the demented double murderer strike again?

Maigret and his fellow inspector Lognon find themselves trying to outmanoeuver each other when they investigate the case of a mysterious young woman whose new life in Paris is tragically cut short. Maigret wouldn't have admitted that what intrigued him most was the victim's face. All he had seen of it so far was one profile. Was it the bruises that gave her that sullen air? She looked like a bad-tempered little girl. Her combed-back brown hair was very smooth but naturally wavy.

Exiled from Paris, Maigret discovers some disturbing secrets in a sleepy coastal town in this new translation. A short, sprightly man appeared in the doorway, looked left and right, and went back into the passage. A moment later, the improbable happened. The little man reappeared, bent over, clinging to a long mass that he now started dragging through the mud. It must have been heavy. After four metres, he stopped to catch his breath. The front door of the house had been left open.

Maigret receives an anonymous phone call concerning the brutal murder of a woman and young child. The tip off concerns the woman's nephew, a mild-mannered man by the name of Gaston Meurant. Maigret remains unconvinced of the man's guilt and at his trial exposes some shocking truths about Meurant's private life that may prove his innocence.

George Simenon's devastating tale of misfortune, betrayal and the weakness of family ties, translated by Anthea Bell. Instead of the detail filling itself in and becoming clearer, it seemed to escape him. The face of the man in the ill-fitting coat just misted up so that it hardly looked human. In theory this mental portrait was good enough, but now it was replaced by fleeting images which should have added up to one and the same man but which refused to get themselves into focus.

Leaning on the banisters, Madame Maigret watched her husband going heavily downstairs.... What the newspapers didn't know was how much energy he put into trying to understand, how much he concentrated during certain investigations. It was as if he identified with the people he was hunting and suffered the same torments as they did.

Set in the in the atmospheric and squalid streets of Paris, Maigret sets out to prove the innocence of a man condemned to death for a brutal murder. In another one of Maigret's unconventional and audacious plans, he arranges the escape of the condemned man in an attempt to prove his theory. The presumed murderer goes on the run across Paris and its suburbs, dropping misleading clues along the way and leading Maigret into the labyrinthine twists of the mystery.

Maigret would have found it difficult to formulate an opinion of him. Intelligent, yes, certainly, and highly so, as far as one could tell from what lay beneath some of his utterances. Yet alongside that, there was a naive, rather childish side to him. Maigret is savouring a beautiful spring morning in Paris when an aspiring film-maker draws his attention to a much less inspiring scene, one where ever-changing loyalties can have tragic consequences.

The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.

When a school teacher from a small coastal town near La Rochelle asks Maigret to help prove he is innocent of murder, the Inspector returns with him to his insular community and finds the residents closing ranks to conceal the truth.

That shoeless foot looked incongruous lying on the pavement next to another foot encased in a shoe made of black kid leather. It was naked, private.... It was Maigret who retrieved the other shoe, which lay by the kerb six or seven metres away. A series of strange phone calls leads Inspector Maigret through the Paris streets towards a man out of his depth amid a network of merciless criminals.

A young cabaret dancer in a black silk dress leads Maigret into a seamy world of nightclubs, drug addiction and exploitation on the streets of Montmartre. 'He opened the door for her and watched her walk away down the huge corridor, then hesitate at the top of the stairs. Heads turned as she passed. You sensed she came from a different world, the world of the night, and there was something almost indecent about her in the harsh light of a winter's day.'

When a self-made man appeals to Maigret for protection at his lavish home, a years-old grudge from the past resurfaces and the inspector finds himself questioning his own motives. Conflict rather than harmony probably reigned in eight out of 10 of the still magnificent houses that surrounded the park. But he had rarely had the opportunity to breath such a strained atmosphere as the one between these walls.

Four gripping dramatisations starring Maurice Denham as Maigret and Michael Gough as his creator Georges Simenon. The world’s best-known French detective, Jules Maigret, talks to his creator Georges Simenon about four intriguing cases in these full-cast dramatisations that have been specially adapted for radio from the original novels.

The first English publication of Georges Simenon's compelling novel about summer escape and elusive obsessions. 'The island itself. Its throbbing heat as if in a bell jar under the sun, the scorpion in his son's bed, the deafening sound of cicadas.' During his first holiday on the island of Porquerolles, Dr Mahé caught a glimpse of something irresistible. As the memory continues to haunt him, he falls prey to a delusion that may offer an escape from his conventional existence - or may destroy him.

A once-wealthy family closes ranks when one of their own is shot, leaving Maigret - along with a troublesome new magistrate - to pick his way through their secrets.

Georges Simenon's haunting tale about the lengths to which people will go to escape from guilt, translated by Linda Coverdale as part of the new Penguin Maigret series. A first ink drawing showed a hanged man swinging from a gallows on which perched an enormous crow. And there were at least twenty other etchings and pen or pencil sketches that had the same leitmotif of hanging. On the edge of a forest: a man hanging from every branch.