Showing results by narrator "Denis Daly" in All Categories

This collection contains several of Tennyson’s best-known poems and shows his mastery of both lyricism and epic narrative.

John Donne (1573-1631) is considered by many to be the finest poet of the Elizabeth Age after Shakespeare. Ironically, poetry was not Donne's dominant preoccupation. In his own day, he was better known as a scholar, and, in later life, a clergyman. His verse was composed sporadically and in an offhand fashion and appears not to have been subjected to revision. In spite of occasional solecisms, his poetic verbiage is vigorous and compelling and marked by a striking use of imagery.

Pierre Loti (1850-1923) was a French naval officer, traveler, and novelist. Many of his novels deal with exotic themes, drawn from the author's experiences in India, Turkey, and the Middle East. Lives of Two Cats, first published in 1900, is an affectionate memoir about two cats who were cared for by the author's mother and aunt during his extended periods of travel.

Thomas Troward (1847-1916) was a divisional Judge in British-administered India. In his retirement, he became well known as a lecturer on metaphysical subjects and developed a unique New Thought philosophy, which he discussed in a number of books. The Law and the Word was published posthumously in 1917. The book explores the power of the word as the fundamental element in manifestation. Troward held the word to be the expression of the immutable law of creation and supports his claim with extensive citations from the Bible.

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

This poetic exploration of the subject of love was composed in Italy 1821, and published anonymously, as the poet wished its circulation to be restricted to the "esoteric few." The title means "concerning or about a little soul", the subject, in this case, being Shelley's inamorata of the time, Countess Teresa (designated "Emily" in the poem) Viviani, a young woman who was immured in the Convent of Saint Anna by her father. Shelley had had a number of contacts with her by letter and in person.

William Wordsworth composed hundreds of sonnets, among which are some of his best-known poems. The sonnet form particularly suited Wordsworth, enabling the poet to encapsulate the beauties of mundane life in language of appealing directness and simplicity. This recording contains 122 poems, ranging across many decades of Wordsworth’s writing career.

The four canonical gospels contain little information about the childhood of Jesus. To provide details of this period, a number of infancy gospels were composed in the second century, the text of this recording being one of the most notable. In this book, the sketchy infancy narrative of the Gospels of Matthew and Luke is embellished in great detail. The events of Jesus’ boyhood days, richly garnished with tales of miraculous feats and the occasional visitation of punishment on unfortunate delinquents, are also described.

Although he refused to ally himself with a specific denomination, religious scholar Paul Carus had a particular reverence for Buddhism, and in 1896, published this succinct guide to the basic doctrines of the religion.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

Neither the date nor the authorship of the Dhammapada is known, but there is conclusive evidence that this monument of the Buddhist canon existed well before the Christian era. Many scholars agree in ascribing its utterances to Buddha himself, while others are of the opinion that it is a compilation made by Buddhist monks from various sources. This classic religious text focuses on practical morality, which, if practiced earnestly and diligently, will lead the practitioner to Nirvana, the state of unconditioned eternal bliss.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

In the early twentieth century, it was often said that “Australia rides on the sheep’s back”—a reflection of the nation’s dependence on the wool trade. Accordingly, a vast itinerant army of labourers was required to shear the sheep and prepare fleeces for market. In this essay, Rolf Boldrewood provides a vivid picture of the shearing season on a large property.

This collection was published posthumously in 1869 under the title of Petits Poèmes En Prose, but is also known as Le Spleen de Paris. A prime influence was Gaspard de la Nuit, the prose poem collection by Aloysius Bertrand. Baudelaire described these short pieces as experiments, and also "confessions." The poet was seeking to create "the miracle of a poetic prose, musical without rhythm and without rhyme, subtle and staccato enough to follow the lyric motions of the soul, the wavering outlines of meditation, the sudden starts of the conscience."

European tourists travel languidly along the Nile River to Abousir, at the southern frontier of Egypt, aboard “a turtle-bottomed, round-bowed stern-wheeler,” the Korosko. But Dervish warriors threaten danger and then attack and kidnap the tourists. In this novel, Doyle explores themes of British Imperialism and a defensive European perspective on North Africa; racial paternalism; and debates on interference with other countries’ politics and religions. This wonderful novel was first published in 1898, long before Agatha Christie’s Death on the Nile.

This collection contains miscellaneous notes and fragments found after the death of Baudelaire. They reveal in miniature the many and varied aspects of the moral and intellectual life of the author. Included are reflections not only on poetry, but also on painting and music, displaying Baudelaire’s finely honed critical instincts.

Baudelaire’s most famous collection of poems is The Flowers of Evil, which was published in 1857 and which was widely condemned as being unwholesome and decadent. The publication actually led to Baudelaire being prosecuted on a charge of offending public morals. There have been numerous translations of Baudelaire’s work into English, but many of them have been judged as not being particularly successful. Strum’s version of The Flowers of Evil is unusual and notable for its accuracy in capturing the elusive appeal of the originals.

The authorship of this Gospel has been widely disputed. Some scholars accept that it was really written by Nicodemus, the Pharisee who visited Jesus by night, as described in chapter three of John’s Gospel. Others have conjectured that the Gospel was a forgery made towards the close of the third century by some zealous believer who imagined it would aid the spread of Christianity. Jeremiah Jones notes that such pious frauds were very common among Christians even in the first three centuries, and that the circulation of forgeries of this nature seems natural and probable.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

E. Clerihew Bentley is credited with the invention of the ‘clerihew’, or humorous verse aphorism, on biographical subjects. This collection, which was illustrated by G. K Chesterton, contains thirty-nine irregular quatrains on historical and contemporary celebrities, starting with Sir Christopher Wren and concluding with the publisher, T. Werner Laurie.