Showing results by narrator "Trisha Rose" in All Categories

The collection contains eight of Shakespeare’s best loved comedies. Each exhibits the vigour, humour, and optimism of the young master before he turned to the gloom and bitterness of the great tragedies.

When Bev and Felix arrive at the King farm in Prince Edward Island, they have no idea of the adventures and memories in store for them. Is old Peg Bowen really a witch? What secrets does the neighbor keep hidden in his spare room? What if tomorrow is the end of the world? And what is in the old blue chest? Along with their cousins, they learn the value of work and play, the wisdom of proverbs, how to struggle with temptations and face their fears.

A Beatrix Potter Collection, narrated by Trisha Rose, contains 23 stories. Although Beatrix Potter (1866 - 1943) had a wide variety of interests, she is best known today for her children's stories, featuring casts of animals to be found in the English countryside.

North and South follows the young Margaret Hale as she is caught in the middle of the brutal world between employers and local workers following the Industrial Revolution. She finds herself at odds from the very start with John Thornton, a local factory owner and self-made man, as she believes him to be unfeeling and callous about the poverty and suffering of the workers while John sees Margaret as haughty and entitled. Further conflicts arise when the workers strike and Margaret feels compelled to intervene with no regard for her own safety.

The Frozen Deep was originally written as a play by Wilkie Collins and Charles Dickens. With Dickens himself gracing the stage as Wardour, the play was met with success, drawing audiences to tears night after night, and even performing for Queen Victoria herself. Drawing on reports of the real-life Franklin expedition of 1845, in which a crew had set out from England to discover the North Passage and disappeared without a trace, Collins and Dickens recreated the events of the ill-fated journey.

First published in 1881, the subtitle of this book tells us that it was written “for children and those who love children”. Heidi, a 5-year-old orphan, is handed off by her young Aunt Dete to live with her grandfather in the Swiss Alps. Though her new life is foreign, Heidi soon falls in love with her grandfather, and he with her. They share a contented life of goat-herding. But when Grandfather refuses to allow Heidi to attend school in the small village below, quarrels ensue.

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

Overtired, overworked, and increasingly irritable, Ester Ried has been relying solely on her own dwindling strength, hoping desperately for a day that might bring change. Inadvertently neglecting her walk with God, she finds herself not only unhappy, but also to be spreading that unhappiness to those around her. Upon receiving a letter from her wealthy cousin inviting her to visit, Ester is finally able to experience change in her life. This begins a course that alters more than she ever dreamed.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

Continuing the charming tales of the Ried family, younger sister Julia now embarks on her own journey of overcoming temptation, making tough choices, and finding her way on the path to true faith and love. Facing exceptional and difficult situations with her family, Julia sets out at a young age to find ways to support herself and her ailing mother.

A modern adaptation of The Oresteia of Aeschylus, the only surviving ancient Athenian trilogy. Across three plays, Greece's first major playwright tells the story of the cursed House of Atreus, where the bloody sins of the family's ancestors are visited upon four succeeding generations. After a series of horrific past crimes by his ancestors, Orestes is driven to matricide and for that is relentlessly pursued by the Furies, underworld demons intent on revenging the spirit of his mother.

These six plays are Japanese classics from the 14th century and are presented in the order of a traditional Nō programme. Nō, the Japanese word for "skill", is a form of Japanese musical drama that originated in the eighth century, and is the oldest major theatre art that still survives today. Alongside Nō plays were kyōgen plays, which were short works typically inserted as a comedic interlude of sorts between the more classical Nō performances.

European tourists travel languidly along the Nile River to Abousir, at the southern frontier of Egypt, aboard “a turtle-bottomed, round-bowed stern-wheeler,” the Korosko. But Dervish warriors threaten danger and then attack and kidnap the tourists. In this novel, Doyle explores themes of British Imperialism and a defensive European perspective on North Africa; racial paternalism; and debates on interference with other countries’ politics and religions. This wonderful novel was first published in 1898, long before Agatha Christie’s Death on the Nile.

Based upon the short story of the same title by Juliana Horatia Ewing, this full-cast dramatization follows the life of a child whose wonderment of the Christmas holiday is formed by the beauty of Christmas Trees.

It is WWI and Canada has entered the war. Young men enthusiastically join up while mothers and sweethearts stay behind and fill the jobs that once were only for men. Rilla, the youngest of Anne and Gilbert’s children, struggles to find how she can possibly contribute. At first frustrated by being the “baby sister,” she soon is challenged by opportunities that will change her beyond her wildest imaginings. This is a coming-of-age story with all the lovable aspects of the first Anne book, yet with a compelling sense of historical immediacy.