Showing results by narrator "Sarah Bacaller" in All Categories

Grace Marshall is eleven years old. She’s curious and creative and dreams of becoming a magician called Grace the Amazing! Grace’s only friend is her art teacher, Pamela. When she discovers that Pamela is ill, the fragile certainties Grace relies on threaten to slip away. On her mission to find a cure for Pamela using miraculous magic, Grace asks the big questions about life, love, and friendship.

The Gallipoli letter is an 8000-word private report written by journalist Keith Arthur Murdoch, with the help of British war correspondent Ellis Ashmead-Bartlett, after visiting the Gallipoli peninsula in September 1915. It describes the organization and conditions of the Gallipoli campaign. It was sent to Andrew Fisher (then-Prime Minister of Australia) and Henry Herbert Asquith (then-Prime Minister of the UK). Murdoch’s twenty-eight-page letter helped to establish the idea of Gallipoli as a military disaster.

This is a story of destruction and despair, where those living resemble the dead. It tells the tale of a decrepit race of humans for whom only a few hold the hope of all humanity in their hands. They must undertake a desperate journey to fight for their freedom and seek retribution for what they have lost. One spark can ignite a bushfire. Can one Gwaka right the injustices wrought upon her people?

The four canonical gospels contain little information about the childhood of Jesus. To provide details of this period, a number of infancy gospels were composed in the second century, the text of this recording being one of the most notable. In this book, the sketchy infancy narrative of the Gospels of Matthew and Luke is embellished in great detail. The events of Jesus’ boyhood days, richly garnished with tales of miraculous feats and the occasional visitation of punishment on unfortunate delinquents, are also described.

When it was first published in 1847, Wuthering Heights was considered highly controversial for its blunt portrayal of domestic abuse, alcoholism, and the dismissal of Christian values by some of its characters. Today, this gothic novel is considered one of the greatest in English literature.

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.

Mavey is excited to sing at the end-of-the-year concert. But the Year Two song has whistling in it, and Mavey can’t whistle. To make matters worse, Mavey’s twin sister Beth has a mighty whistle. Terrified her classmates will laugh at her, Mavey and her family devise a plan to get Mavey whistling. Will Mavey learn how to whistle in time for the big concert? Or will Mavey’s toot stay mute?

Sometimes feeling bored is just the beginning. My name is Evie and I'm making plans. Actual plans. I'm going to build my own house. I'm not talking about some silly treehouse either. I'm going to build a real house. Only it seems everyone else who lives in Turtle Place has an opinion they'd like to share. Frog and Milo want to build something totally different, Mr Santos is grumpy, Mrs Katz is spying on us, my sister is the most annoying person on earth and my parents don't believe in me at all. But I have a plan! I have big dreams when I'm bored.

It is WWI and Canada has entered the war. Young men enthusiastically join up while mothers and sweethearts stay behind and fill the jobs that once were only for men. Rilla, the youngest of Anne and Gilbert’s children, struggles to find how she can possibly contribute. At first frustrated by being the “baby sister,” she soon is challenged by opportunities that will change her beyond her wildest imaginings. This is a coming-of-age story with all the lovable aspects of the first Anne book, yet with a compelling sense of historical immediacy.