Showing results by author "Hannah Cowley" in All Categories
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A Bold Stroke for a Husband
- By: Hannah Cowley
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"Plays, where the scene is placed in a foreign country, particularly when that country is Spain, have a license to present certain improbabilities to the audience, without incurring the danger of having them called such; and the authoress, by the skill with which she has used this dramatic permittance, ... has formed a most interesting plot, and embellished it with lively, humorous, and affecting incident.... Here is contained no oblique insinuation, detrimental to the cause of morality—but entertainment and instruction unite, to make a pleasant exhibition at a theatre, or give an hour's ...
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The Graveyard Poets
- By: Thomas Gray, Thomas Dermondy, Hannah Cowley
- Narrated by: Richard Mitchley, Ghizela Rowe, Gideon Wagner
- Length: 1 hr and 30 mins
- Unabridged
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The Graveyard Poets, also known as 'Churchyard Poets' or 'the Boneyard Boys' began in pre-Romantic days with a leaning towards gloom, melancholy and the general decay of churchyards. It should be remembered that in the 18th century city graveyards were a teeming mass of overcrowding and disease, their country brethren better but hardly idylls of worship. What would eventually lead to the Gothic literary genre began, in the main, with reflections by Christian clergymen upon God, mortality and the assumed afterlife.
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The Graveyard Poets
- Narrated by: Richard Mitchley, Ghizela Rowe, Gideon Wagner
- Length: 1 hr and 30 mins
- Release date: 24-01-19
- Language: English
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A School for Greybeards; or, The Mourning Bride
- By: Hannah Cowley
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http://www.adfreebooks.com - 1000+ audiobooks, all ad free!Author, Cowley: "I offer the following Comedy to the public, under a circumstance which has given my mind the most exquisite uneasiness. On the morning after the first representation, it was observed by the papers that there had been persons present at the Theatre the previous evening, who went there determined to disapprove at all events." This play of 1786 is based on Aphra Behn's "Lucky Chance" of 100 years earlier. By moving the scenes from London to far away romantic Portugal, Cowley thought to avoid criticism for the way she ...
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