Showing results by narrator "Jessica Regan" in All Categories

You stand on a crowded tube platform in London. Your two little girls jump on the train ahead of you. As you try to join them, the doors slide shut and the train moves away, leaving you behind. By the time you get to the next stop, you've convinced yourself that everything will be fine. But you soon start to panic, because there aren't two children waiting for you on the platform. There's only one. Has your other daughter got lost? Been taken by a passing stranger? Or perhaps the culprit is closer to home than you think? No one is telling the truth.

It’s 1994 in County Donegal, Ireland, and everyone is talking about Colette Crowley – the writer, the bohemian, the woman who left her husband and sons to pursue a relationship with a married man in Dublin. But now Colette is back, and nobody knows why. Returning to the community to try and reclaim her old life, Colette quickly learns that they are unwilling to give it back to her.

Anya is enjoying a relaxing bath when she hears a noise in the roof. Through the open bathroom door, she sees the attic hatch swing open, and a masked figure drops to the floor. Thirty seconds later, Anya is dead. Across town, Anya's old school friend, Julia, sees an online video of a masked figure climbing out of an attic. She suddenly realises why the footage is eerily familiar: it was filmed inside her house in a luxury gated community, designed to keep intruders out. Why would a stranger target Julia? Unless of course, it's not a stranger at all.

Marissa Irvine arrives at 14 Tudor Grove, expecting to pick up her young son Milo from his first playdate with a boy at his new school. But the woman who answers the door isn't a mother she recognises. She isn't the nanny. She doesn't have Milo. And so begins every parent's worst nightmare. As news of the disappearance filters through the quiet Dublin suburb and an unexpected suspect is named, whispers start to spread about the women most closely connected to the shocking event. Because only one of them may have taken Milo - but they could all be blamed.

Thirty-four-year-old Shannon is heartbroken following an unexpected breakup. Seasonal joy is the last thing on her mind, as she wonders if she’ll ever find the kind of long-lasting love she’s always dreamed of. Even the comforting distractions of her big Irish family can’t cheer her up. Then things get even worse when Shannon slips over on the ice and finds herself red-faced in the arms of a gorgeous American man....

Sarah Anderson has never been more excited about anything in her life. She’s going to her best friend’s wedding. And not just any wedding. An Irish wedding. Goodbye New York, hello rolling green hills and men with beautiful accents and twinkling eyes. But Sarah should have known that not all guests are fairy-tale princes....

Grace really needs someone to help cover the rent for her London flat, but Christopher Dorrance? Everyone in the little Irish village of Emerald Bay knows about the feud between their families, though no one knows how it started. But, both being in a tight spot, they try and make it work, swearing to tell no one back home. Until a mutual friend and her son in the bay are left homeless after a storm. Grace and Christopher must head back to Ireland to help together.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants" - ordinary people, his readers, easy tabloid fodder. His star looks set to rise when he stumbles across a scoop: a dead child on a London estate, grieving parents loved across the neighbourhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and "bad apples": the Greens.

Welcome to Ballyrowan. This sleepy corner of rural Ireland may seem tranquil, but scratch the surface and you'll find a hotbed of gossip and intrigue - endless material for mouthing - and a town full of people only too happy to oblige in spreading the bad news. Narrated by several generations of villagers, Mouthing traces the fortunes of one small community from the mid-20th century to the early 21st, in a series of highly confessional and darkly hilarious monologues.

Aisling's two sons, Ethan and Finn, mean everything to her. Ever since becoming estranged from her own parents, though, she's always felt like a piece of her is missing. Desperate to find answers - about her family, and herself - Aisling uploads her DNA to an ancestry website, and is thrilled when it finds a match. But instead of finding answers, she comes face to face with a detective. Aisling's DNA is a match for a recent crime scene - the latest in a string of murders by a dangerous serial killer, known as 'the bonfire killer'.

The game of hide and seek is over, everyone has gone home, but little Lily Murphy hasn't been found. Her parents search the woods and tell themselves that the worst hasn't happened—but deep down they know this peaceful Dublin suburb will never be the same again. Joanna moves into a new house. It seems perfect in every way, until she learns that this was once Lily Murphy's home. From that moment onwards, a sense of dread seems to follow her from room to room.

When a skull is found in Lough Coyne, facial reconstruction expert Dr Carla Steele is drawn into a 14-year-old case – but not all cases are cold, as Carla discovers when she and local Garda DS Jack Maguire find the brutally murdered body of a local woman close to the water's edge. Together with Carla's partner, criminal psychologist Grace Franicosi, Carla and Jack uncover a tragic story with very dangerous and current implications. Since the disappearance of her best friend, Carla has dedicated her career to bringing the dead home, but this time it's the living who are counting on her.

When 24-year-old Ava Kelly and her adventurous twin Grace return home to The Shamrock Inn, their Ma’s favourite baubles bring back so many memories of Christmases past. They have always done everything together, even leaving their little Irish village for the excitement of London. But with the locket her handsome ex Shane gave her hanging just above her heart, Ava has just one wish this festive season....

Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us.

Stranded on a dark road in the middle of the night, a young woman accepts a lift from a passing stranger. It's the nightmare scenario that every girl is warned about, and she knows the dangers all too well - but what other choice does she have? As they drive, she alternates between fear and relief - one moment thinking he is just a good man doing a good thing, the next convinced he's a monster. But when he delivers her safely to her destination, she realizes her fears were unfounded. And her heart sinks. Because a monster is what she's looking for.

After years of slogging her guts out for nothing at a PR company, Libby Quinn finds herself redundant and about to plough every last penny of her savings into refurbishing a ramshackle shop and making her dream of owning her own bookshop become a reality. She hopes opening Once Upon a Book on Ivy Lane will be the perfect tribute to her beloved grandfather who instilled a love of reading and books in her from an early age.

Authors John Dorney, Jessica Regan and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony and who won and why. Twenty films are reviewed in-depth, alongside 10 detailed 'making-of' accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinised to answer the ultimate question: 'did the Academy get it right?'

The first novel truly to capture the story of Ireland during the BSE crisis, shown through the small, deeply intimate stories of four people caught up in its churn. A photograph is hung on a gallery wall for the very first time since it was taken two decades before. It shows a slaughter house in rural Ireland, a painting of the Virgin Mary on the wall, a meat hook suspended from the ceiling - and, from its sharp point, the lifeless body of a man hanging by his feet.

Jo Campbell is perfectly content in a perfectly structured life. Nothing ever changes in Jo’s life and she likes it that way. Or at least, she tells herself she does. Most of the time, she manages to push down the tiny voice that tells her to chase her dream and maybe, just maybe, open her battered and bruised heart up to love. But to chase her dreams she needs to take chances that are way out of her comfort zone and learn to not put other people’s happiness above her own. Most of all she has to learn to trust her heart, which may just be the biggest challenge of all.

Erin Donohue would describe herself as happy. Well, maybe not exactly happy...but not unhappy either. For the most part she loves her job as Head Chef at The Ivy Inn, working alongside bestfriend, Jo and making a home with boyfriend Aaron. Things are going just fine. Or so she thinks.... After a tough shift, Erin returns home to be greeted by silence. There is no trace of Aaron or his belongings. In that split second her whole life and world are turned upside down. It seems Aaron has exited the building and her life.