Showing results by narrator "Maggie Walters" in All Categories

Dominatrix Renee Lane and her submissive husband live in Memphis, Tennessee, disguised as an average married couple. In private life, they are mistress and slave. For the last ten years, Ms. Renee has employed erotic S&M, mind control, and brainwashing techniques to forge an intimate and loving bond with her submissive partner. They consider themselves explorers of the boundaries of consensual female domination.

As a young adult, years after her physical abuse has ended, Maggie Walters struggles with an unpredictable temper and socially difficult behaviour. After several false starts she finds a therapist who she trusts, just enough, to start talking about the childhood locked away behind the anger and isolation she has learnt to live with. Eventually she is diagnosed with Multiple Personality Disorder, MPD (now known as Dissociative Identity Disorder or DID). Gradually, she understands.

Raunchy, risqué and rebellious, early Restoration comedies were a breath of fresh air for 17th century theatregoers. With Charles II restored to the throne in 1660, Oliver Cromwell's ban on stage performances was rescinded, and for the first time, women were invited to tread the boards as actresses. Playwrights developed a new style of social comedy, packed with amorous escapades, bawdy humour, wicked wit and sexual innuendo. This scintillating anthology showcases six leading lights of early Restoration drama.

Elizabeth Bowen was one of the 20th century's most distinctive writers. An associate of the Bloomsbury Set, she was a keen observer of upper-middle-class life and relationships. Best known for her novels of the Anglo-Irish gentry and wartime London, her fiction displays recurring themes of loss, rootlessness and displacement. This collection contains five of Bowen's best-loved works, and hears from the author herself in three radio talks on the art of novel-writing.

Maggie Smith and Jonathan Pryce star in William Wycherley’s raunchy Restoration comedy. Considered too obscene to be staged in its original form for nearly 200 years, William Wycherley’s bawdy comedy tells the tale of Mr Horner, a notorious rake who spreads the false rumour that he is impotent in order to gain free access to other men’s wives. When he meets the young, innocent Margery Pinchwife, the ‘country wife’ of the title, the scene is set for scandal.

The BRIT School - where a young Adele Adkins wrote two of her first songs and Tom Holland, aka Peter Parker/Spiderman, honed his acting talent - ranks as one of the world’s finest performing arts schools. In this compelling documentary and with unique access we hear for the first time how this extraordinary school, supported by the iconic BRIT Awards got started and how it engages with young people from all backgrounds.