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A life-affirming nature diary - with something amazing to see and experience on every day of the year - from award-winning authors and Springwatch experts Brett Westwood and Stephen Moss. From blackbirds, beavers and beetles to tawny owls, natterjack toads and lemon slugs. Every day of the year, winter or summer, in every corner of the British Isles, there's plenty to see if you know where - and how - to look.

Presenter Brett Westwood joins forces with BAFTA award-winning producer and naturalist Stephen Moss for six delightful and informative series, introducing us to some of Britain's most popular and best-loved birds. Together with wildlife sound recordist Chris Moss, they tour the UK, tracking down the rich variety of species that make their home there - from garden and woodland birds to ones that live on water, by the coast, on farms and in the mountains and moors.

Wherever we are, there are birds. And wherever there are birds, there is birdsong. It's always a pleasure to hear sounds that prove the world's still spinning: whether it's the sighing of migrating redwings on a damp October night, the twitter of swallows fresh in from South Africa in April, or the call of the cuckoo in May. Based on the scripts of BBC Radio 4's beloved year-long series, and distilling two lifetimes' knowledge, insight, and enthusiasm into this recording, Brett Westwood and Stephen Moss take you month by month through the year, and the changing lives of our favourite birds.

The words we use to name birds are some of the most lyrical and evocative in the English language. They also tell incredible stories: of epic expeditions, fierce battles between rival ornithologists, momentous historical events and touching romantic gestures. Through fascinating encounters with birds and the rich cast of characters who came up with their names, in Mrs Moreau's Warbler Stephen Moss takes us on a remarkable journey through time.

For the whole of human history, we have lived alongside birds. We have hunted and domesticated them for food; venerated them in our mythologies, religion and rituals; exploited them for their natural resources; and been inspired by them for our music, art and poetry. In Ten Birds That Changed the World, naturalist and author Stephen Moss tells the gripping story of this long and eventful relationship through ten key species from all seven of the world's continents.

The wren is a paradox of a bird. On the one hand wrens are ubiquitous. They are Britain’s most common bird, with eight-and-a-half million breeding pairs and have by far the loudest song in proportion to their size. They also thrive up and down Britain and Ireland: from the smallest city garden to remote offshore islands. Yet many people are not sure if they have ever seen a wren. Perhaps because the wren is so tiny, and so busy, always on the move.

In The Robin, Stephen Moss records a year of observing the robin both close to home and in the field to shed light on the hidden life of this apparently familiar bird. We follow its lifecycle from the time it enters the world as an egg, through its time as a nestling and juvenile, to the adult bird and ultimately, death.

As spring arrives, Stephen Moss’ Somerset garden is awash with birdsong: chiffchaffs, wrens, robins and more. Overhead, buzzards soar, ravens tumble and the season gathers pace. But this equinox is unlike any other. As the nation goes into lockdown, Stephen records the wildlife around his home, with his fox-red Labrador, Rosie, by his side. When old routines fall away, and blue skies are no longer crisscrossed by contrails, they discover the bumblebees, butterflies and birdsong on their local patch.

In The Swallow, Stephen Moss documents a year of observing the swallow close to home and in the field to shed light on the secret life of this extraordinary bird. We trace the swallow's life cycle and journey, and the key part the swallow plays in our traditional and popular culture.

Willie Nelson, Waylon Jennings, Kris Kristofferson. Before they were household names, these budding legends called Sue’s Nashville apartment—lovingly dubbed the “Boar’s Nest”—home. Sue’s place was an intimate staging ground where a new breed of singer-songwriters—wounded souls, wayward upstarts—would spur each other on to tap into something bigger, realer.