Native American Mysteries

Award-winning author Craig Johnson's critically acclaimed debut Western mystery takes listeners to the breathtaking mountains of Wyoming for a tale of cold-blooded vengeance. Two years earlier, four high school boys were given suspended sentences for raping a Cheyenne girl. Now, two of the boys have been killed, and only Sheriff Walt Longmire can keep the other two safe.

Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother's wrecked car when she was three. He's kept an eye out for her ever since. It's a tough place to live - northern Minnesota along the Red River. Cash navigated through foster homes, and at 13 was working farms. She's tough as nails, five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side.

Once a land of Pueblo dwellers, the town of San Geronimo Peak, New Mexico, is prime ski country. PI Howard Moon Deer and ex-cop Jack Wilder are headed there to meet their first client - a former US senator and the ski slope's owner. Instead, they find his body - and a murder case to solve.

Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook. As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life.

A collection of stories from the most famous Western author of all time! Desert Death-Song is a compilation of some of Louis L’Amour’s greatest stories, many of which might otherwise be difficult to find. Whether he was writing under his early pen name, Jim Mayo, or his own, L’Amour’s stories are unforgettable, touching on rough and rugged American ideals, and set in the untamable frontier of the Western United States.

A collection of stories capturing what it means to be a cowboy.

If there's one thing that Bureau of Indian Affairs Investigator Emmett Quanah Parker knows, it's that the dead don't always stay dead. When the corpse of a woman, brutally murdered and bizarrely mutilated, is discovered on Havasupai Nation land, Parker is paired with FBI Special Agent Anna Turnipseed in a hastily assembled task force of two. The two share a mixed Native American ancestry - and little else.

Reservation "bad boy" Thomas Begay is found dead drunk under the La Plata Bridge, which is not unusual for him. What is unusual, however, is that beautiful BIA investigator Patsy Greyhorse is found lying beside him, not drunk or even a Navajo but very dead nonetheless. Charlie Yazzie, fresh from law school, risks his career and even his life to help his old friend. The answer seems to lie with the Yeenaaldiooshii...should one choose to believe in such things.

On Memorial Day in Jewel, Minnesota, the body of wealthy landowner Jimmy Quinn is found floating in the Alabaster River, dead from a shotgun blast. The investigation falls to Sheriff Brody Dern, a highly decorated war hero who still carries the physical and emotional scars from his military service. Even before Dern has the results of the autopsy, vicious rumors begin to circulate that the killer must be Noah Bluestone, a Native American WWII veteran who has recently returned to Jewel with a Japanese wife.

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These shiver-inducing tales introduce listeners to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge.

Harney County, Oregon, 1968: Nick Drake has a chest full of medals and enough demons to fill a duffel bag. He's been trained to kill but was never retrained to rejoin society. Drake flees to the lonesome high desert in search of redemption and takes a job patrolling wildlife refuges where the only conflicts are keeping out stray cows and ticketing poachers. But then he stumbles across a girl's body ritually placed in a gully. Her murder is only the beginning, and Drake must face humanity's heart of darkness once again if he's to stop a killer from turning even more gullies into graves.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

The gruesome corpse of a young woman is found beside a long Montana highway called the Hi-Line. Her jaw and teeth are missing, and she is impossible to identify. Full of anger and without a clue, Du Pre begins to hunt the countryside for her murderer. As more dismembered corpses - all young women - are discovered, the small ranching community goes into shock.

An intricate tale of love, haunting memories, and renewal, Second Glance begins in current-day Vermont, where an old man puts a piece of land up for sale and unintentionally raises protest from the local Abenaki Indian tribe, who insist it's a burial ground. When odd, supernatural events plague the town of Comtosook, a ghost hunter is hired by the developer to help convince the residents that there's nothing spiritual about the property.

It's a week before Christmas when wealthy businessman Tom Underwood disappears into thin air - with more than enough people wanting him dead. New police recruit Kala Stonechild, who has left her northern Ontario detachment to join a specialized Ottawa crime unit, is tasked with returning Underwood home in time for the holidays. Stonechild, who is from a First Nations reserve, is a lone wolf who is used to surviving on her wits. Her new boss has his hands full controlling her, his team, and an investigation that keeps threatening to go off track.

A lost and frightened horse plods down the National Mall, startling the crowd. When Gabriel Du Pré spots the confused animal, the connection is immediate, for neither of these creatures belongs in the sweltering heat of a DC summer. Du Pré, a Métis Indian from the wilds of Montana, calms the horse and leads it to the nearest policeman. Du Pré is in Washington to play his people’s music for a Smithsonian festival, but after leading the horse to safety, he encounters a murder instead.

For four generations, the Messmers have raised cattle in the rough country of eastern Montana. When the current owners die in a motor home accident, they leave the ranch to their son - an ominous development for everyone in the area, both human and bovine. Larry Messmer left Toussaint in the 1980s, when he got in trouble for bludgeoning a horse to death, and Gabriel Du Pré hoped he would never come back. Larry announces his return by having his ranch hands kill every weak cow on the property.

Business lately has been deadly for Ike Kelly. Recent unexpected gunplay has left his agency to a single operative. John Henry Cole is that operative. Kelly has received a letter from former lover Lydia Winslow, who operates an escort service in the new mining camp of Deadwood in Dakota Territory. "Three young women have been murdered since they arrived in camp." It is obviously a dangerous assignment, and Cole is advised that he must take every precaution - as if he needed such advice.

A historic western that opens in 1873, a time when recession is forcing thousands westwards to recoup their fortunes. The West is tough, brutal and the Indian is the enemy. But when a white woman is raped, it is a half-breed Cheyenne who comes to the rescue. From the author of Jake and Upland Passage.

Gabriel Du Pré’s aunt Pauline has burned through more than her share of husbands, so it’s no surprise when she shows up in Toussaint complaining that the latest one, Badger, has run off. Du Pré, the fiddler and sometimes deputy, agrees to go looking for her man and finds him shot, execution-style, in the wilds of the Montana countryside. A chat with his contacts at the FBI reveals that Badger, a small-time drug smuggler, had been working for them since his last arrest. Pauline’s husband was bait, but the big fish got away.