Showing titles in Urban

DCI Matilda Darke has returned to work after a nine-month absence. A shadow of her former self, she is tasked with reopening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their 11-year-old son, Jonathan, who was too deeply traumatised to speak a word. Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more....

Psychologist Ava Barclay wants to be a good wife. The wife that she knows her cop husband, Tony, deserves. Ava keeps a lot of her clients’ secrets, but no-one, especially Tony, has any idea how many secrets of her own she is hiding. Fuelled by the emptiness of her mother leaving her father and her as a baby, Ava is on a path to self-destruction, drinking too much, making bad choices, including lying to her husband. And when her father, Billy, is attacked and left for dead, Ava learns that her problems are about to get a lot worse.

Every day at 8:05, Iona Iverson boards the train to go to work. Every day, she sees the same people and makes assumptions about them, even giving them nicknames. But they never speak. Obviously. Then, one morning, Smart-but-Sexist-Surbiton chokes on a grape right in front of Iona. Suspiciously-Nice-New Malden steps up to help and saves his life, and this one event sparks a chain reaction. With nothing in common but their commute, an eclectic group of people learn that their assumptions about each other don't match reality.

Daddy’s girl Samantha Reynold hadn’t bargained on unexpectedly needing to step into her father’s shoes and take over the family casino business. Pampered and spoiled, Sam knows nothing about the rules of this glamorous but deadly new world. She has a lot to learn and even more to prove. But she won’t let her family down, especially when it looks like they could lose everything to their biggest rivals - the Stoker family.

Opening in the late 1980s as rave culture is born and moving into the 1990s, Men In Love reunites the Trainspotting crew for a riotous new journey. Renton, Spud, Sick Boy and Begbie leave heroin behind and seek joy, and the hope of redemption, on the dance floor. Each wants to feel alive in the closing years of Thatcher’s Britain, and they fill their days with sex and romance and trying to get ahead. Taking in Edinburgh, London, Amsterdam and Paris, the group charges towards an unexpected event: Sick Boy’s wedding day.

Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. Jess and Jason, she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy. And then she sees something shocking. It's only a minute until the train moves on, but it's enough. Now everything's changed.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

The first novel from the award-winning, best-selling author of Everything I Know About Love. Thirty-two-year-old Nina Dean is a successful food writer with a loyal online following but a life that is falling apart. When she uses dating apps for the first time, she becomes a victim of ghosting and by the most beguiling of men. Her beloved dad is vanishing in slow motion into dementia, and she's starting to think about ageing and the gendered double-standard of the biological clock.

As the current head of the family firm, Jimmy Carter has decided it’s time for him to step down and for one of his other brothers to lead the family. Except only one of his brothers wants the job – the youngest Carter brother - reckless hot-head Jonny. Carla Carter has never forgiven her tramp of a mother for cheating on her beloved dad, Sonny and she’s determined to avenge him in the most perfect way: by stealing from the man who stole everything from her. Her Uncle Jimmy would never consider Carla’s plan – it’s way too risky and dangerous. But Jonny needs to prove himself.

With World War II at an end, Charles Hayward is finally free to marry the woman he loves, Sophia Leonides. However, she refuses - the unexplained death of her grandfather, wealthy businessman Aristide Leonides, draws her back to the suffocating environment of her family home. Charles follows, but his arrival coincides with the discovery that Aristide’s death was murder. The ensuing investigation drags Charles into the dark heart of the family, and its deadly secrets and dangers.

After a routine delivery, midwife Sarah Brandt visits her patient in a rooming house and finds that another boarder, a young girl, has been killed. At the request of sergeant Frank Malloy, she searches the girl's room and discovers that the victim is from one of the most prominent families in New York - and the sister of an old friend. The powerful family, fearful of scandal, refuses to permit an investigation. But with Malloy's help, Sarah begins a dangerous quest to bring the killer to justice before death claims another victim.

Miss Marple, Agatha Christie’s deceptively mild spinster sleuth, is being treated to a few days’ holiday by her niece, staying at Bertram’s Hotel, a dignified, unostentatious establishment tucked away in a back street of busy Mayfair. Here is a place where sedate upper class ladies, retired military gentlemen and the higher echelons of the clergy can indulge in the comforts of a bygone age. But Miss Marple begins to feel uneasy. Something sinister lurks beneath the polished veneer.

Nell Stevens’ life is a mess. When her business goes bust and her fiancé with it, Nell’s happy ever after in California falls apart and she moves back to London to start over. But a lot has changed since she’s been gone. All her single friends are now married with children, sky-high rents force her to rent a room in a stranger’s house and in a world of perfect Instagram lives, she feels like a f--k up.

In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.

When Jenny’s mother abandons her and her younger siblings, Jenny is left at the mercy of her abusive father, Henry. And when Henry beats his eldest daughter so badly that she ends up in the hospital, it seems like there’s nowhere left for them all to go. But factory worker Craig has fallen head over heels for Jenny, and he offers her a place to stay. Happy at last, Jenny begins a new life with him, but when tragedy strikes, she’s left to pick up the pieces of both her broken home – and her broken heart.

Mike Regan and Zara Ezra believe the so-called Governor is safely locked away - in Zara’s hangar. But less than 24 hours later, the Governor is loose and out there, wreaking havoc.

It's just another Tuesday with Mercury in retrograde. Cue Nikolai Volkov. A devil in Armani with a body built for sin. Protective. Ruthless. Magnetic. Oh, and did I mention he's hot enough to melt Siberia? I should despise him for stealing my freedom. Instead, I'm playing house with the beast and melting every time he growls 'mine’. But as it turns out, this good girl has a knack for taming monsters.

It’s time for more confessions... As heartfelt and hilarious as the bestselling first novel, Nell discovers that there’s no such thing as having it all figured out.

Lydia imagines her new job running a Senior Citizen's Social Club three afternoons a week will involve drinking tea while playing gentle games of cards, listening to The Beatles and reminiscing about food rationing and The Blitz. She does not expect to find a failed actor addicted to shoplifting, a woman who's been hiding from a mysterious and very chequered past, and a prolific yarn-bomber. After a tragic accident means the council threatens to sell the community centre, the Social Club, aided by their friends in the nursery next door and a geriatric orphaned mongrel, set out to save it.

Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing f****n junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total f***n embarrassment tae the selfish, f****d-up brats ye've produced. Choose life.