Showing titles in Gothic

Every autumn, John Pentecost returns to the farm where he grew up to help gather the sheep down from the moors for the winter. Very little changes in the Endlands, but this year, his grandfather - the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time. Each year, the Gaffer would redraw the boundary lines of the village, with pen and paper, but also through the remembrance of tales and timeless communal rituals, which keep the sheep safe from the Devil.

When a copycat murderer prowls among the trees of Ponderosa Springs, our loyalty is tested. It had been foolish of us to believe our revenge would go unpunished. That the town wouldn't retaliate after what we did. With our lives hanging in the balance, Thatcher and I have no choice but to coexist. In the twilight of musty cabins and haunted library towers, my somber secrets are exposed, and his cravings are revealed. So the question is . . . What is love without obsession?

Ten years ago, four young men shot some elk and then went on with their lives. It happens every year; it's been happening forever; it's the way it's always been. But this time it's different. Ten years after that fateful hunt, these men are being stalked themselves. Soaked with a powerful Gothic atmosphere, the endless expanses of the landscape press down on these men - and their children - as the ferocious spirit comes for them one at a time.

The final, haunting novel, in the extraordinary story that has enthralled millions! The horror began with Flowers in the Attic, the terrifying tale of four innocent children locked away from the world by a cruel mother. The shocking fury continued with Petals on the Wind and If There be Thorns. Now V.C. Andrews has created the last dark chapter in the strange, chilling tale of passion and peril.

Charlie Wolfe jumps at the chance to help his uncle renovate a tumbledown cottage overlooking Nomansland Common. Number One Constable’s Cottages was once the home of the man charged with ridding the common of the highwaymen who terrorised travellers. But it’s the story of The Wicked Lady, the notorious female highway robber, that captures Charlie’s imagination, and some long winters’ nights he’s sure he can the hoofbeats of her horse echoing across time.

Notorious arms dealer Callum Torrio will do whatever he has to do to get the woman he loves back. A war between the crime families is brewing, and if they aren’t careful, they’ll end up right in the middle of it. Forced into hiding, Callum knows he must do whatever he can to keep Bianca and their unborn baby safe. Loving her makes him vulnerable, but letting her go…isn’t an option. When the truths to all their secrets are revealed, will they find happiness, or will the pain of their pasts destroy them?

When four sisters arrive at Applecote Manor to spend the summer, all is clearly not well. They find their aunt and uncle still reeling from the disappearance of their only daughter, five years before. No one seems any closer to finding out the truth. Why did Audrey vanish? Who is keeping her fate secret? As the sisters are lured into the mystery of their missing cousin, the stifling summer takes a shocking, deadly turn. One which will leave blood on their hands, and put another girl in danger decades later.

One of the 21st century's most celebrated authors, Hilary Mantel won the Booker Prize twice: for 2009's Wolf Hall, the first in her phenomenally successful Thomas Cromwell trilogy, and its 2012 sequel Bring Up the Bodies. The third novel in the series, 2020's The Mirror and the Light, won the Walter Scott Prize for Historical Fiction. This collection includes three of her best works of contemporary fiction, ranging from the Gothic to the blackly comic.

Six years after four family members died of arsenic poisoning, the three remaining Blackwoods—elder, agoraphobic sister Constance; wheelchair-bound Uncle Julian; and 18-year-old Mary Katherine, or, Merricat—live together in pleasant isolation. Merricat has developed an idiosyncratic system of rules and protective magic to guard the estate against intrusions from hostile villagers. But one day a stranger arrives—cousin Charles, with his eye on the Blackwood fortune.

Carrot has moved into the Wonder Museum—an eclectic collection of taxidermy, shrunken heads, and Mystery Junk owned by her Uncle Earl. For Carrot, it's not creepy at all: she grew up with it. What's creepy is the corridor behind one of the museum walls. There's just no space for a corridor there—or the concrete bunker, or the strange islands beyond the bunker’s doors, or the unseen things in the willow trees. Carrot has stumbled into a horrifying world, and They are watching her. Strewn among the islands are the remains of Their meals—and Their experiments.

For 300 years, Sister Autumn has incited wars, burnt villages, killed kings, and released plagues at the bidding of the grimoire. When an order from the grimoire sends Agatha to the Kingdom of Merveille, she already anticipates the worst. Unless she wants to face the wrath of the Goddess, Agatha must keep her head down and do as she's commanded. But when the grimoire orders her to marry a pompous prince and play the role of a peasant "accepted" by vicious aristocrats, she finds herself at the center of a war between the classes and an age-old prophecy.

Pain is an abyss. How naive of me to think I’d already reached the very depths of it when fate shook my world with a crushing blow. It turns out there are fathomless levels of pain, like a winding labyrinth of doors leading to shadowy figures and long-forgotten secrets. The kind of inescapable descent into madness that twists nightmares into reality. What lies at the end of this obscure path I have yet to discover. But where it begins is a place called Infernium: an asylum feared by those in Nightshade and untrodden by the angels who’ve forsaken its many lost souls.

February, 1929. The Regent Hotel in Birmingham is a place of deception and glamour. Behind its six-storeyed façade, guests sip absinthe cocktails on velvet banquettes, while the hotel's red-jacketed staff scurry through its lavish corridors to ensure the finest service is always at hand. In the early evening, a psychoanalyst checks in under a pseudonym: Nora Dickinson. Nora is young, diligent and ambitious. Though she doesn't see herself as a liar, she is travelling with an agenda.

Kier Sealgair is the only daughter of a family of seal hunters. Her brothers continue the family trade but the seal hunters and fishermen of the small town are struggling as catches decline and the seals are dying. Kier cannot kill and in hard times she is a burden to her family, especially now that her father is ailing. Her only friend is Fie, son of the town's tailor, living with the knowledge that his father hoped for a daughter. Near the town, high on the cliffs, is Erskine Manor. Servants come from the manor to the town to buy supplies but the family is never seen and rumours abound.

1816. Mary, 18 years old, is staying in a villa on Lake Geneva with her lover Percy Shelley. She is tormented by his infidelities, haunted by the loss of her baby daughter. Then one evening with friends, as storms rage outside and laudanum stirs their imaginations, Lord Byron challenges everyone to write a ghost story, and something fierce and wild awakens in Mary. Memories surface of the long, strange summer she once spent with a family in Scotland, where she found herself falling in love with the enigmatic Isabella Baxter. She learned tales of mythical beasts, witches and spirits.

They called me a freak. They called me a loser. They tormented me and made my life a living nightmare when all I had ever wanted was to be left alone. And five years ago, after a lifetime of being bullied and harassed, of enduring more pain and trauma than any man could handle, that's exactly what I set out to do. I left the only home I'd ever known to lock myself behind the cemetery gates and care for the only people who have ever given me the peace I craved—the dead.

V.C. Andrews' thrilling new novel spins a tale of dreadful secrets and dark, forbidden passions—of the time before Flowers in the Attic began. Long before terror flowered in the attic, thin, spinsterish Olivia came to Virginia as Malcolm Foxworth's bride. At last, with her tall handsome husband, she would find the joy she had waited for, longed for. But in the gloomy mansion filled with hidden rooms and festering desires, a stain of jealous obsession begins to spread...an evil that will threaten her children, two lovely boys and one very special, beautiful girl.

England, 1898. When Evelyn first married the famous novelist William Aubrey, she was dazzled by his brilliance. But their newlywed bliss is brief when William is gripped by writer’s block, and he becomes jealous of Evelyn’s writing talent. When he commits the ultimate betrayal—stealing a draft of her novel and passing it off as his own—Evelyn decides to write her way out of their unhappy marriage.

From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder.

When glamorous socialite Noemí Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but her claims that her husband is poisoning her and her visions of restless ghosts seem remarkable, even for her. Noemí's chic gowns and perfect lipstick are more suited to cocktail parties than amateur sleuthing, but she immediately heads to High Place, a remote mansion in the Mexican countryside, determined to discover what is so affecting her cousin.