Modern American Literature

Cash and Sheriff Wheaton make for a strange partnership. He pulled her from her mother's wrecked car when she was three. He's kept an eye out for her ever since. It's a tough place to live - northern Minnesota along the Red River. Cash navigated through foster homes, and at 13 was working farms. She's tough as nails, five feet two inches, blue jeans, blue jean jacket, smokes Marlboros, drinks Bud Longnecks. Makes her living driving truck. Playing pool on the side.

Cops can make mistakes, even when they're not rookies. Deeply traumatized by a shooting incident, Cass Raines resigned from the Chicago PD, leaving one less female African-American on the force. Now she's the head of a one-woman private investigation agency. She also plays chess with the only father figure she's ever known, Father Ray Heaton. When Father Ray asks Cass to look into a recent spate of vandalism at his church, she readily agrees to handle the case. But only hours later she's horrified to discover his murdered body in the church confessional, a dead gangbanger sprawled out nearby.

Mark Franklin came from the American West to Edwardian England with two long-barrelled .44s in his baggage and a fortune in silver in the bank. Where he had got it and what he was looking for no one could guess, although they wondered - at Scotland Yard, in city offices, in the glittering theatreland of the West End, in the highest circles of society (even King Edward was puzzled) and in the humble pub at Castle Lancing.

Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse. Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

'In a way, the hate felt good. You were righteous, godlike, the dispenser of justice...' Super-smart sleuth Isaiah Quintabe - IQ to his friends - has built a mostly respectable life for himself, helping out friends and neighbours when he can and taking the occasional case to make ends meet. But there is one mystery that still haunts him almost 10 years later - did his brother really die in a hit-and-run, or was there more to the story behind his death?

In this new mystery set in the Patty Hearst era of radical black nationalism and political abductions, a black ex-boxer self-named Uhuru Nolica, the leader of a revolutionary cell called Scorched Earth, has kidnapped Rosemary Goldsmith, the daughter of a weapons manufacturer, from her dorm at UC Santa Barbara. If they don't receive the money, weapons, and apology they demand, "Rose Gold" will die - horribly and publicly.

George Stroud is a hard-drinking, tough-talking, unscrupulous journalist working for tyrannical Earl Janoth's media empire. And he's involved with the wrong woman - his boss' mistress, Pauline Delos. One day, as Stroud escorts Pauline home, he spies his boss returning from a trip. The next day, Pauline is found dead in her apartment. Janoth knows someone saw him enter Pauline's apartment on the night of the murder; he knows it must have been the man Pauline was seeing on the side; but he doesn't know his identity.

This anthology of 140 poems, published in 1921, features the work of 97 British and American poets who were active in the early 20th century. Among the more famous names are John Masefield, Rupert Brooke, Walter de la Mare, William Butler Yeats, Robert Graves, Amy Lowell, Carl Sandburg, Edna St Vincent Millay, Joyce Kilmer and Witter Bynner.

It's Saturday, past midnight, and thick fog rolls in from the river like smoke. Link Williams is standing on the dock when he hears quick footsteps approaching and the gasp of a woman too terrified to scream. After chasing off her pursuer, he takes the woman to a nearby bar to calm her nerves, and as they enter, it's as if the oxygen has left the room: they, and the other patrons, see in the dim light that he's Black and she's white.

In Oak Knoll, a tight-knit North Carolina neighbourhood, professor of forestry and ecology Valerie Alston-Holt is raising her bright and talented biracial son. All is well until the Whitmans move in next door - an apparently traditional family with new money, ambition and a secretly troubled teenage daughter. With little in common except a property line, these two very different families quickly find themselves at odds over an historic oak tree in Valerie's yard. But as they fight, they fail to notice that there is a romance blossoming between their two teenagers.

Her name is Renee Blackbear, but what most people call the 19-year-old Ojibwe woman is Cash. She lived all her life in Fargo, sister city to Minnesota’s Moorhead, just downriver from the Cities. She has one friend, the Sheriff Wheaton. He pulled her from her mother’s wrecked car when she was three. Since then, Cash navigated through foster homes and at 13 was working farms, driving trucks.

Detective Easy Rawlins returns in a mystery set in 1961 Los Angeles as Easy accepts a job searching for a beautiful woman nicknamed Black Betty who works as a housekeeper in Beverly Hills.

Containing over 47 stories and two novels, this book is big baby, bigger and more powerful than a freight train - a bullet couldn't pass through it. Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes.

After killing Rahaab, the most powerful dragon on Earth, Steven Drokharis knew he’d have to fight to keep what he’d won, but the cabal that killed his father was just the tip of the iceberg. He’ll have to fend off a cult of shapeshifters, magical constructs, and two devious, busty, machine-gun-toting twins, all while keeping his escort of human and dragon women satisfied. Meanwhile, the eyes of ancient demons are ever searching for signs of dragons, and the deadliest threat may be close to home.

Jim Loney is a mixed-blood, of White and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement.

Joe is a retired Special Forces operative with a bad case of PTSD and some substance abuse issues, moonlighting as a fixer for the most powerful crime families in town. In his newest assignment, Joe is sent to take out a shadowy figure named Zahir, who made the New York crime families' hit list by hijacking heroin shipments bound for US dealers and funneling the money to terror cells. Which means that Gotham's underbelly has brought Joe back to the one place in the world he doesn't want to revisit.

We last saw Easy in 2007’s Blonde Faith, fighting for his life after his car plunges over a cliff. True to form, the tough WWII veteran survives, and soon his murderous sidekick Mouse has him back cruising the mean streets of L.A., in all their psychedelic 1967 glory, to look for a young black man, Evander "Little Green" Noon, who disappeared during an acid trip. Fueled by an elixir called Gator’s Blood, brewed by the conjure woman Mama Jo, Easy experiences a physical, spiritual, and emotional resurrection, but peace and love soon give way to murder and mayhem.

The late 16th-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.

In 1988, a band of University of Wisconsin–Madison undergrads and dropouts began publishing a free weekly newspaper with no editorial stance other than “You Are Dumb.” Just wanting to make a few bucks, they wound up becoming the bedrock of modern satire over the course of twenty years, changing the way we consume both our comedy and our news. The Onion served as a hilarious and brutally perceptive satire of the absurdity and horrors of late twentieth-century American life and grew into a global phenomenon.